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The South Florida Jazz Scene...

with Al Kanovsky

For years, no two people have been more ubiquitous in the South Florida jazz audience than Al and Flo.  On September 27, 2012, Al and the South Florida jazz community lost their best friend, Flo Eisenberg. 

Al will continue to share his take on the jazz scene in this semi-regular column.  In the meantime, please bookmark the page and visit often to get Al's skinny.

 

Nothin' Flat in 4/4 Time
SI was going to go to the "flicks" on Friday but fell asleep and when I woke up I fell asleep again. So much for old "hepcats" going out every night. I promised Joe Donato to be at BJB's on Saturday night where he would be filling in for Troy Anderson (on the road). I got there early and heard some new talented young men play for a couple of sets. They were supposed to e-mail me there names but-------  Maybe that's the reason some musicians need agents. Joe came on with Rick Doll (bass) Dolph Castellano (piano) and Danny Burger (drums). They started the set with a traditional New Orleans tune, second line and all. They continued, raucously on, with everybody, musicians and audience having fun. A young man walked in, sax case in hand. Joe invited him up to jam. What can I say. His name is Mrixos (yes it's right) and this kid can blow. He is a student of Susan Epstein at New World.  Sunday brought me to the Aventura Culture and Arts Center. The Center is placed in a beautiful, scenic setting and has fantastic acoustics. The afternoon was a potpourri of the Arts. From operatic vignettes, to piano virtuosos, to poignant storytelling, cabaret and closing with the Mike and Nicky Orta quartet with Carlo Magn(ific)o Araya (drums) and Renato Toms (congas). Joining them as featured vocalists were Beatriz Malnic (Brazil) and Maria Rivas (Venezuela). They had me shaking my shoulders and feet doing samba, salsa and merengue steps in my seat. The afternoon concluded with the audience on their collective feet, applauding an outstanding performance by all.

October 15, 2012
 
October 11, 2012 "The Beat Goes On" Maria Rivas, appearing at Blue Jeans Blues Wednesday night, continued the tribute to the memory of Flo by dedicating the evenings performance to her. Flo had befriended and became a fan of hers shortly after Maria arrived back in the U.S. Maria was backed with the trio of Danny Burger (drums) Brian Murphy (piano) and the extremely talented Gary Thomas (bass). During the second set Maria was joined on stage by Dana Paul. I don't know if they have ever performed together before but I felt it was truly a "dynamic duo". They did "Summertime" and "Lush Life". Impromptu, but it had all in attendance wowed by the rendition (including scat vocals) of both songs. The last song of the evening was "Besame Mucho" done only as Ms. Rivas can do it. It was well after midnight proving again that good music has the tendency of keeping you awake.
Sunday afternoon there was a "Celebration of Flo's Life" at BJB's. Lots of musicians and "civilians" there to honor her memory. Joe Donato with Jim Gasior opened the musical program with the traditional "Just A Closer Walk With Thee". Then Wendy Pedersen joined them. Ten years from now there will be some who will brag that they were there, whether true or not. Why? Because Wendy sang "Funny Valentine". The presentation was beyond singing a song. It was moment in music that will never be forgotten by anyone who was privileged to hear it. Wendy's vocal, Jim's piano and Joe's sax had everyone in awe. Mike, Debbie and Nicky Orta were there and all took a stint on stage. Young Ben Stocker (representing Dillard High) played a couple of Getz/Rollins influenced numbers. Jaui Schneider backed several of the performers. Bill Heck did one or maybe two. Papa Joe(Fish House fame) did "Georgia" bringing us to our feet. The JAZZ community of South Florida was well represented. At the "Celebration" Rick and Fran Katz, Ms. Tracy Fields, Ralph & Pam Dearden, Danny & Mary Burger,  Eddy Balzola, Lourdes Valentin and Anthony Corrado, James McCoy, Holly Spillane, Bobby Ramirez, Steve Kornicks and Steve Kaufman. Barbara Vann & Mike Orta continued the tribute during their Sunday Jam. Many of those who didn't get a chance to perform earlier joined the "Jam". Luz Salazar, Rita Dee, Steve Kornicks, Steve Kaufman, on and on, on and on.
 
It was a dark and dreary night----Torrential rains, thunder and lightning----I am in a deep funk and off on a mission of love and grief. My destination Blue Jeans Blues to arrange for "A Celebration of Life" following my loss. Arrangements made, I decide to lighten the load with a bout of heavy drinking. Instead, my heart is lifted by the sounds of a band I had not heard before. "Amereida". They describe it as "world-beat". I listened intently trying to figure out what was so intriguing about their version of all types of music. It was definitely JAZZ. Making you want to listen. Latin rhythms without Latin chord structures, hmmm. Creative solos. Soft. Tasty. Pleasant. Would "gourmet JAZZ" be appropriate? Your choice I guess! Stephanie Mair held the mic and has a real JAZZ voice. Tim Reis (guitar) had me bending forward to listen more closely. Ouri Hersh (drums) held the band straight on course. The last to be mentioned (you know the rest) is George Guzman. Mature, knowledgeable and talented. Keyboard, EWI, soprano sax and flute. Every solo was a treasure. Every back-up line true to the melodic line. I took the opportunity to talk with the band and they are all interesting conversationalists. Glad to say I had only 2 adult beverages and a cup of black coffee and made it home drenched but safe and sound.
"Celebration of Flo's Life", Sunday at BJB's---Miami Jazz Co-op "Rent Party" Monday at the Stage---Hope to see you all there  

October 2, 2012
 
August 23, 2012 If you are as much a movie buff as you are a JAZZophile, you probably remember Bogart and the film "Treasure of Sierra Madre". A memorable line comes from a scene where bandits are attempting to steal the gold Bogie had found. The bandit says "We don't need no stinkin' badges". Last night Lisanne Lyons was the featured artist at Danny Burgers Showcase at BJB's. She started the set with an up tempo "You'd Be So Nice To Come Home To". Lisanne displayed her amazing "scat" skills and set the tone for the rest of the evening.  Lisanne multi layered vocalizing  says plainly "We don't need no horns". Backed by Danny (drums) Brian Murphy (piano) and the very young and very talented Josh Allen (bass) they had us tappin' & clappin'. During the second set Lisanne invited one of her students at U.M. up and perform. A young woman, Kelly Garner,
took the stage. Kelly is from Nashville, Tennessee. Lots of musicians are from around there but I'll bet not many like her. All I can say is WOW!!! Her rendition of "Honeysuckle Rose" belies her youth and inexperience. This gal can sing. Now a chapter in the continuing "JAZZ Love Tales". Lisanne's "someone special" is of Italian heritage. He is not in the "biz" and is not musical. I think that's the first Italian I've ever heard of that doesn't think he can sing. The saga continues as I inquire of Brian Murphy how he and Donna Blue came to be a couple. Brian "We met in Nova Scotia"---pregnant pause---Me "How did you meet?"---short pause---Brian "A friend introduced us"---I realized I wasn't going to get much out of the queries and so I thanked him for the info and released him from any further embarrassment. Fortunately a few minutes later I spied Donna. I told her about my encounter with her hubby and she burst into laughter. One of the great things about Miss Donna Blue is her talent for laughter and cheerfulness. She gave me the "skinny". Yes, a friend introduced them but that's only the short of it. The long is, Brian was appearing, playing piano and singing at a club called "The Eager Beaver" in the Hotel Nova Scotia. Donna, an actress, was working in a nearby theater. She and her friends would stop by the club after their show. It was winter. More importantly winter in Nova Scotia. It gets colder than you know what in Nova Scotia in the winter. He wore a beret and she wore a red one. I don't know whether he just looked like he was warm and cuddly, but Donna set her red beret. It took a couple of tries but she finally caught his eye and it has been Donna and Brian ever since. 
This coming Monday is MJC's Rent Party at The Stage. Kelly and Lisanne promised to try and be there. Don't miss the opportunity to hear them. The featured artist is Dana Paul with a Blood Sweat and Tears tribute band.
 
If you read the last couple of reviews, you might remember that I've written about love in the JAZZ world. Brenda, Wendy and Julie have spoken to me about their mates and romance. Last night I had the opportunity to speak with the popular B3 player Kenny Burkhart. He has an interesting tale of love. He's a kid in Lancaster PA.  He plays accordion in a local band doing high school dances and small weddings in the community. Kenny is pretty good. He can even play "Lady of Spain" and shake the box for vibrato effect. One night a guy in the audience approaches him, complimenting him on his proficiency. Out of nowhere the man says "You shouldn't be playing that thing. You should try the B3. Kenny had no idea what he meant. "Get a Jimmy Smith album, "The Sermon". Listen and learn. You won't regret it." Kenny bought the album the next day. He listened, learned and promised himself that someday he would play as "good" as Jimmy Smith. He prevailed on his parents and finally between his savings and their wanting to stop his whining they put together the $2200 for a Hammond B3 Lewis model. The transition from vertical to horizontal was a little strange. Pedals were another thing altogether. But as all philosophers tell us "Love conquers all". So this time it wasn't boy meets girl, no, it was boy meets B3 and it was an affair made in Heaven. So far this love has lasted over 45 years and continues to grow. 
This conversation took place before a "Reunion" performance by "JAZZberry Patch" Ben Champion (tenor sax & 2 recent bypasses) fronting the band with Kenny B on the B3, Martin Hand on a guitar made in 1966 and Danny Burger playing drums. Danny insists it's not WORK. Paulie Cohen, Jack Siegel and Russ Freeland sat in and helped make the evening a delight.
Now a little about the economics. BJB's gets a $5 cover on Wed. Fri. and Sat. with no minimum. Upstairs at the VanDyke, $10 cover and a 1 drink min. per set.
The MJC Rent Party asks for a $10 contribution at the door with no minimum required. Top of the Bridge $10 cover, no minimum. There is no place in the entire world where you can hear this amount of talent for this small amount of money. In the Apple, Chicago and L.A. covers of $25 to $40 per set are not unusual and generally come with a 2 drink (at $12-$20per) minimum. If I was selling furniture or TVs I would be shouting from the rooftops. "TAKE ADVANTAGE OF THIS ONCE IN A LIFETIME OPPORTUNITY" Get out and support Live music tonight. P.S. the guitar Martin was playing belongs to Vincent Maiello (Cousin Vinny) He and I are political rivals and may soon run against (or into) one another for an upcoming post in the College of Musical Knowledge. ===see Kay Kyser===  

August 16, 2012
 
August 13, 2012 When someone says "mezzo soprano" it conjures up a  picture of a somewhat heavy lady in an overbearing dress, surrounded by tall guys holding spears, and another somewhat heavy guy lying on the floor bleeding. The lady is singing at the top of her lungs and the spear carriers are humming in the background. Well those of us JAZZophiles who are living in south Florida can see and listen to some of the finest and most beautiful mezzo sopranos in the world without any of the aforementioned histrionics. To name a few, not in any particular order, Nicole Henry, Wendy Pederson, Maria Rivas, Lisette Lyons, Nicole Yarling, Rita Wilbern, Brenda Alford, Debbi Orta, Lourdes Valentin, all appear at our local clubs. (aditionally none of them could be described as somewhat heavy) We are far more than just lucky. We are blessed. Go out to listen to a live performance of any one of these gals (oops) Ladies and you will not be disappointed. Last night at BJB's it was Maria Rivas. The trio behind her was Danny Burger, Brian Murphy and Jamie Ousley. The crowd out front filled the room. Surprising for a Sunday night, way off-season. Maria was on her "game" to say the least. She and the band responding to one another and the audience catching the fever. It was an exciting night and no-one had to wait for someone to be stabbed to listen to our own kind of "mezzo soprano".
Also made a stop across the street at Fish Tales for some BLUES and got a special treat. Joey Gilmore holding forth with my good buddy Raul Hernandez on drums, Crossfire on guitar and Al Ferriera playing a Bluesy tenor. If Joey and this group don't get you tappin' and clappin' you better call a mortician!!!!
 
"They call it stormy Monday, and Tuesday's just as bad". Well, I'll tell you. Not this Tuesday. Not this Tuesday at Blue Jeans Blues. Not this Tuesday with the Maestro at the keyboard. Not this Tuesday with the venerable Turk Mauro hosting the evening. The kind of soft spoken, affable guy you like to hang with, Turk was lucky enough to convince Silvano Monasterios to appear with himself, Danny Burger (drums) and young talented Gary Thomas (bass). When I call Silvano "Maestro"  I do it with respect to the full meaning of the word. Technique, style, originality, dynamics, the master has it all. I joined with my contemporary, Babette at the bar. She is also a devoted fan of Silvano. Turk is a fan as well and had a great time playing with him. Summer, Tuesday night and the place was just crowded enough so that people could enjoy all the JAZZ 
that was being played. Swing, Bop, Blues and a Silvano solo on a "habanero" rhythm tune blew the house away. Silvano will be appearing in New York with Troy Roberts at Zinc on September 12. I may just have to take a trip. Keep your toes tappin' on the down beat and hands clappin' on the upbeat and the world will know how "hip"-"crazy" you really are.

August 9, 2012
 
August 5, 2012 Louis Armstrong-Louis Prima-Louis Jordan-Joe Cocker-Santana-not a chart or piece of sheet music in sight-live musicians. No, it's not music club Heaven.  It's the Hard Rock in Hollywood. Specifically in the lounge of the Council Oaks Room. From Wednesday thru Saturday they have Dale Powers and his group. Wednesday and Thursday dedicated to JAZZ-Friday and Saturday it's still JAZZ to me, but more for JAZZ loving dancers. Flo is still enjoying the Apple and working her butt off helping others. I was there with my (date) Bill. He is a big Dale Powers fan and had brought me here to listen for the first time 3 or 4 years ago. I have been a semi-regular ever since. The line up- Dale fronts the band on keyboard and vocals, Lou Abbott (I'm not kidding) on drums and vocals. last night there was Tom Roberts on bass. Tom alternates with Matt Bonelli. Completing the group is the effusive Johnny "O" on congas, timbales, bongos, cowbells, tambourine, alto sax, tenor sax and vocals. (I am sure I left something out). Wednesday and Thursday Jesse Jones Jr. generally joins in. Jesse is a wonderful influence on Johnny "O", broadening his creativity.  Listening to these guys play always amazes me. Not only the number of songs they play, but the variety. JAZZ, BLUES, Funk, Rock 'n Roll, Latin, Swing and anything anyone requests. Again not a music stand or chart in sight. Ornette Coleman said it best "JAZZ is the only music in which the same note can be played night after night but differently each time." So regardless of the genre, what this band does is JAM!. If you want to have a lot of fun listening to talented musicians play, make it to this Lounge. Last week a guy named Ron gave me $100 for my table at Blue Jeans Blues. Last night a gal named Nola achieved the same thing with a smile and a peck on the cheek. That should give you some idea of my values. She was there with her friend Derrick (tall, dark and handsome) and another couple. Nola is sweet, petite and I would have loved to meet her when we were both seventeen. They love the band but really come to dance. And I mean dance. Nola danced every number with intensity and joy. You could tell she loved to dance. Her hips, shoulders, feet, even her lips and eyes danced to the music. Her partner was no slouch either making every rhythmic pattern come alive with his bodies motion. No I didn't get a C-note but had the opportunity to enjoy the evening with new friends. I even got up to shake the booty, doing an enlivened (for an octogenarian) mambo. Sunday headed for the BLUES Jam at Fish Tales and then on to Blue Jeans Blues. Maybe I can find "Yard Note" Ron again. 
 
What's all the talk about? The question about JAZZ? What is it? Where did it come from?  Where the heck is it going???? Another drummer explained it simply enough. Shelly Mann said, succinctly "WE NEVER PLAY ANYTHING THE SAME WAY-ONCE". That is why I love it . That is why you love it. End of debate.
Monday night and the MJC's Rent Party at the Stage. If you weren't there, you have my sincere condolences. I always write about "those special moments". An evening of great innovative JAZZ is winding down. On stage, Julie Davis (Davis&Dow), Wendy Pedersen, Jaimie Ousley, Jim Gasior, Carlo Magn(ific)o Araya, Dave Fernandez and David Leon. The two ladies, sharing the mic, count it off. Bye-bye Blackbird. It's kind of a traditional last song for many JAZZ groups. Well there was nothing traditional about this. What Shelly Mann had iterated was never truer. You will never, ever hear that song, done that way, or even close, again. Two great JAZZ vocalists just Jammin'. Alto and tenor saxes groovin'. The keyboard alive with sound. Bass strummin'. Cymbals hissin'. Creativity alive in the Magic City. And lucky me was there to hear it. I can never thank the musicians who play for us, enough. They enhance my life in myriad ways. I hope you feel the same.
 
The ongoing saga of "Love Stories" now continues with Davis & Dow. To be precise Julie and Kelly. In the prehistoric days, before the social-media phenomenon people would place ads in printed publications. Newspapers, magazines etc. Julie Davis (vocalist) wanted an accompanist for her local gigs and budding career. She placed an ad in a musicians magazine that was dedicated to "heavy metal" type bands. Kelly Dow, working as an entertainer on a cruise line at the time happened to be in port and saw the ad. He contacted Julie and they arranged to meet. No---it was not "love at first sight". It was respect of each others talent. Kelly had graduated from North Texas University. That impressed Julie. Many of the musicians in the Stan Kenton and later the Maynard Ferguson band were NTU grads. Respect grew to admiration. Admiration to love. Love to marriage. It's been Davis and Dow for 20 years and still going strong. A warning to mother's of boys. I don't know what female vocalists have, but so far it seems that guys don't have a chance when it comes to escaping. So if your son comes home saying he met this girl singer. Go out and shop for a dress to wear to the wedding.
 
Flo is still in N.Y. and keeping with our life style, went on the town Monday as well. Dizzy's Club Coca Cola. Nicole Henry. Beautiful setting. Beautiful singer. The Apple and a summer night. "Who Could Ask For Anything More". Wednesday night Flo and I both went out to listen to great JAZZ artists. One a star of the future. The other an established atist and guiding light for young aspirees.  Flo in The Apple. Me in Fort Lauderdale (does it have a nickname?). She at "Smoke" with Yale to listen to the brilliant young pianist Emmet Cohen. Me at BJB's with Bill, to hear Ira Sullivan, the multi horned, octogenarian, who continues to blow all the young cats away. I kept looking for my new pal, Ron. You know--the guy duking out the yard notes. Flo and Yale met Emmet's parents. Yale told the bartenders all his old jokes while Flo got Tommy and Jareb's history behind the "stick". Tommy, at Smoke for a "hundred" years. Jareb just a rookie. Emmet as always, impressed. He had Brian Lynch (UM professor) on trumpet. Neil Smith and Boris Koslow rounding out the group. Ira had a couple of young lady trumpet players, Kelly and Kimberly come up and jam. In the last set another lady, Andrea, joined in with beautifully played flute solos. Ira continues to encourage and enlighten youngsters who want to play our beloved JAZZ. Thank you, Ira. Yes, I did it again. Stayed until the last note faded into the night. It's always the way to go when Ira closes with "Amazing Grace" 

July 31, 2012
 
July 23, 2012
During a week of electric storms I hoped I would not be electrocuted but hoped somewhere along the line I would be electrified. Sunday night at Blue Jeans Blues provided the "juice". I got there in time for a set  of Barbara Vann's Sunday Jam. I was there early to listen and to save a table for myself and some expected friends. As I walked in there was a drum solo being played. I knew right then that this would be "one of those nights' in a really good way. I was, as usual (except when Flo opines) right.
Guiseppe Pucci was at Danny's set. He was masterful. Playing drums is a complex art. Touch, dramatics and histrionics all play a part in what the musician portrays. Guiseppe's card reads simply "Drummer". He should add the word "Artistic" to the title. He is not only a superb drummer, he knows an awful lot about the history. When I asked him about what looked like a new snare in Danny's kit, he said that it might be new to the set but was made in 1965. A little later when talking with Danny he confirmed the date and added that it was a Slingerland Superphonic snare and is still the industries highest standard. Danny also told me that one of his cymbals had once belonged to Philly Joe Jones and that he had gotten it as a gift from his music teacher at age 15. I asked Guiseppe to try to make it to the MJC rent party on July 30th and he said he would.
Maria and her manager Eric arrived. Danny came in, then Brian Murphy and finally I saw Nanami Morikawa walk in with Jamie Ousley's music stand. I knew in my mind if I came back as a musician I would have a "roadie" that looked like that. Jamie came in with what looked like a pint-sized bass. Not being shy, I asked him about it. He said it was a "Green" instrument. I was puzzled. He said it uses less wood to make. I made a funny face and he left me off the hook explaining it was a "traveling bass" to use when flying or on long road trips. I have seated myself at a table meant for six. My pal Tommy is already here and I am expecting my friends Dr. Jules and his friend and my "amigo" Oscar Corbella and his beautiful model fiancé, Marta. The place is filling up in anticipation of Maria's performance. Dr. Jules arrives and joins Tommy and me. BJB's is getting crowded with only one or two small tables still unoccupied. Before I continue with this article I want you to fully understand that what follows is not a "story" a fable or a fairy tale. It is the absolute, unadulterated truth. The manager approaches and asks would I mind moving to a smaller table so that can accommodate a larger party. I explain to him that I am expecting others to join me shortly and they are on their way. He returns and I quote " The guy says he will give $100 for the table."  This might sound Runyonesque but my reply is "Show me the money." He does. A genuine C-note. I push Dr. Jules out of his seat into a chair at an adjoining table (also occupied by friends and fans of Maria), grab the "hunnert" and motion for the waitress to move Tommy and me to a smaller table. One of the conditions I made was that I wanted to meet the su----gentleman who had been so generous. We were introduced  and Ron truly is a gentleman. Additionally, I will enjoy spending his dough, listening to live JAZZ. I also told him that at any subsequent event the price might be substantially higher. I wouldn't want any one to think that I can be had cheap. 
Maria starts the first set and you can tell right off that this will be one of those performances where the audience and musicians are energized by that certain magic. The trio responds to Maria and she in kind to them. The audience is already entranced by Maria's voice. She does "Night in Tunisia" with a tinge of the rhythms of her native Venezuela. Then closes the set with an up-beat swinging, scat filled "Rte 66".  This is going to be "one of those nights".
Oscar and Marta came in during the first set and we are kind of jammed in at one of the booths for 3 plus folding chair. A family at a close by table appears to be paying their check and I sidle over and enjoin them in conversation, hoping to facilitate their departure and grab the table. As aforementioned, I am not shy. Turns out to be a great couple and their children. Betty and Bob. B&B. Like in M7Ms but different letters. The kids are Anna and Jeremy. Saxophonists and aspiring JAZZ musicians. She tenor. He alto. Betty and Bob both work in healthcare. I believe they do G-ds work and enjoy the music He has given us as well. Also told them about the upcoming MJC Rent Party (JULY 30). My friends and I moved over and now had front row seats (and a yard note in my pocket). Maria sang "My Romance" Danny kept the tender mood lightly stroking the skins with his fingers and hands. Unless you have heard Maria's "Besame Mucho" you have not heard the song. La alma de latina. The soul of a latin woman is expressed in her every vocal note. She followed with a rousing "Come Together" and had us all up out of our seats. She invited Nanami Morikawa up to do a song. This is the same gal who does Jamie's "roadie" job. This Japanese import has a "Shtimmer" (that's Yiddish for voice) and knows how to use it. She did homage to Billy Holiday by singing "What a Little Moonlight Can Do" way up-tempo with a 100 note to the bar scat line included. It was not Billie but it certainly was Nanami. Donna Blue came in late and I got to share a hug. Thank you Maria, Danny, Brian, Jamie, Nanami. Thank you Blue Jeans Blues and last but not least "Thank you" Ron. (he is a major factor in my being able to lead the decadent life style I aspire to.) See you at the RENT PARTY. The Stage. July 30
 
Panama Francis, a drum man back in the day, said The drummer drives---everybody else rides". I thank all the JAZZ musicians for allowing me to come along. Yesterday was Danny Burgers birthday. Enough to say he is a proud grandfather and much younger than I. He also "drives". With Danny, sticks and skins, a band doesn't need much more to coast into a groove. At BJB's, Danny's Showcase featured Tom McCormick on tenor and flute. Chuck Bergeron (bass) and Dolf Castellano (piano) completed the band. I had a tough choice to make. Ira Sullivan was appearing at PAX. Ira---Tom.  Tom----Ira.  Danny's birthday was the trump card. Ira's turn will be next week. A great, enthusiastic audience, had the group swinging. Their rendition of Bernie's Tune not only had you clappin' and tappin', it brought us to our feet with applause. There was one of those very special moments in JAZZ when Danny and Chuck traded "fours". I was fearful that I might have to call my cardiologist. WOW!!!! You must listen when Dolf solos. During one 32 bar chorus I recognized 15 song titles interspersed in the chord changes. Castellano's birthday is next week. He too is younger than me, believe it or not!!! Happy Birthday Danny and Dolf.  July 19, 2012
 
July 9, 2012
This past week contained a Friday the 13th. That's supposed to be unlucky. Absolutely not true. We South Floridians had the good fortune to have 2 outstanding gal (is that PC?) vocalists performing locally. Last night Nicole Henry, a rapidly rising star, was at Joe's Stone Crab in South Beach. Joe's JAZZ program will continue on Friday & Saturday nights through August 5th. The band backing Nicole had Dave Chiverton (drums) Paul Shewchuk (bass) and Jouie Schneider (keyboard). Tom McCormick joined in for the second set and made the evening even better. Nicole responds to musicians and vice-versa. The room was packed, as it should have been, for her performance. As usual she did not disappoint. Thank you, Nicole. Plan a trip to Joe's before the program ends. Small, but comfortable room. Good food and drink. Come early for seating---strictly first-come/first serve, Nicole in The Apple the end of July. Tom McCormick at Blue Jeans Blues later this week.
 
The same week that had a supposedly "Black Friday" had the date 7/11. Talk about lucky!!! If you wanted to, you could have had a FREE drink (soft) at 7/11. Or if you wanted to get really lucky (forget the wise cracks---oops) you could have taken Thirty Third St. for a ride. Mid-week afternoons, cabaret star, Glenda Grainger is at Blue Jeans Blues. Glenda sings the Great American Songbook in a straight forward lounge style. I was pleasantly surprised when she opened the second set with an up-tempo "Sentimental Journey". JAZZ riffs improvised, and all. Later on she did "Night and Day" displaying her JAZZ chops again. Glenda said she would love to do more of it. Go-Glenda-Go. The night at BJB's belongs to Danny Burger. Wednesday is his "Showcase" night. Danny invites all of South Florida's best JAZZ artists to perform. This night it was Wendy Pedersen's turn to shine, and she did!!! The dynamics of her performance from ballads, to blues, to scat and standards is more entertaining than anyone can expect. Danny on drums played brushes on "Too Late Now" a perfect accompaniment to Wendy's rendition. She showed her versatility and range by singing two completely diverse songs, "If I Only Had a Brain" from The Wizard of Oz and "Caravan" the great JAZZ standard. Her voice is similar in tone, to a finely played alto sax. I like to say  that Wendy has a license to jam. And Jam she does. Danny showed his sense of touch playing brushes behind Wendy's "Too Late Now". The bandstand group was unusual as to make-up. Wendy and Mike Orta (piano) graduated from U of M in the same year. Young Josh Allen (upright bass) and exceptional, recently graduated from U of M and Danny Burger (grandfather Time) attended TSHOK and is still matriculating (whatever that means). I sat her down during the break (not easy to do) and asked about how she met and married her husband, Julio. This, so I could tell more wonderful stories about love and JAZZ and how it brings people together. Remember Brenda and Joe? Okay!! Wendy met Julio Hernandez (sometimes called Hernandersen) while they were on the road in a band together. Friendship and musical mutual admiration brought them closer together. That last sentence should have read, "He was Latin, dark, handsome and muy romantico. She was young, very pretty and loved the way he caressed the neck on his bass." That closeness begat Love that begat Marriage that begat Children. I use biblical terminology because Julio and Wendy's two sons have biblical names. One from the Old Testament and one from the New. David and Luke. Their careers sometimes keep them apart but not from their love of each other and their music. Julio plays bass guitar. He travels with a host of big name bands and does lots of local studio work. Wendy is also a member of "Mad Romance". Catch her whenever or where ever you can. She'll have you clappin' and tappin'
 
On Sunday, 33d St. in Fort Lauderdale turned into Times Square on New Years Eve. Fish Tales was hosting a benfit for Graham Drout who recently had surgery to remedy the effects of diabetes. Graham is an icon of the blues genre. Not only as a player but composer and arranger as well. The first time I heard him and his band, Iko-Iko was shortly after I arrived in Fl. I was still finding my way in the live music world down here. I had been to O'haras on Los Olas and Hollywood Blvd. The VanDyke and Mrs. Murphy's. I needed a blues fix. I found it in a hole in the wall in DelRay(I think) called the Back Room. Iko-Iko was the band and they made me a fan, like cocoa,in an instant.
Bikers pulled up in their leather, gals in tight jeans and tighter tops, old guys like me and younger folks like you and every blues musician and fan from all over the state were there. Darrel Raines had a band playing on the street and Albert Castiglia had the group inside. Albert played a full set of Graham's hit songs and compositions. Contributions rained in from a variety of sources. Raffles, silent auction, donations and proceeds were all part of the givings for Graham. The enthusiasm of the fans and their generosity proved again that in order to clap your hand and tap your toes, deep down inside, you have to have an awfully BIG heart. I only stayed for one set and wish I could have stayed longer. My prayers and good wishes are extended to Graham who has brought much pleasure into my life. Thank You!!!
 
I walked across the street to BJB's and the Barbara Vann Jam. They were getting some of the overflow crowd as well as their regulars. It is a pleasant way to spend some late afternoon Sunday hours.  Barbara does the standards. Mike Orta dazzles on the piano and Linc Lackey entertains with ditties like "Benny's From Heaven" and "Little Dicky". Luz Salazar got up to sing a few and a newly arrived Nicole Star did a rousing "Route 66"
The evening featured a lively, bubbly Maria DeCrescenzo. The band behind her was a realy swinging group. Martin Hand  (great guitar) Nicky Orta (the hearbeat), on bass guitar, Bob Taylor (providing lyrical licks) on piano and driving the band, the electrifying, Matt Calderin playing drums. It was loads of fun. I grew up in The Bronx. Most of my friends were Italian or Jewish. There were a few Polish and Hungarians and even some gypsys. We grew up and got married. Some of us more than once. My gang held and went to lots of wedding receptions. That was what last night at BJB's seemed like.		 July 9, 2012
 
July 9, 2012 It's really warm in South Florida and it's hot in New York. Al is here and the lovely Ms. Flo is there. Dr. Lonnie Smith is there as well, appearing at the JAZZ Standard thru the weekend. It's his 70th birthday today and Flo got in touch with our friend Yale (a knowledgeable JAZZophile) to see if he had reservations. RESERVATIONS???? What a question. Yale is a truly die-hard Smith groupie. He had them for 2 shows today, 2 shows Thursday (they will be closed Wednesday) possibly 3 shows Friday and Saturday and 2 shows on Sunday. When you visit a JAZZ club with him, accept the fact that he is well known and liked at all of them. If all of us were as devoted to live JAZZ in south Florida as Yale is, there would be clubs opening on every corner of the Southland. Dr. Lonnie was accompanied by Jonathan Kreisberg (guitar) and Allison Miller (drums). Flo described their performance as Jonathan-"WOW!!!!" and Allison-"AMAZING". Her comments about Dr. Lonnie included lines like "he can make that organ shed tears". I totally agree. Jonathan will make appearances at Tobacco Road in Miami and Art's Garage in DelRay at the end of August. Yale gave the Dr. an album compiled of obituaries and articles of the late great JAZZman Lou Columbo. A highlight of the 2d set was Dr. Smith inviting his grandson Matthew, 11, to the stage and organ. The young man is sight impaired but is, to quote Flo "the heir apparent". At the end of the second set, Lonnies two daughters, grandson and Holly gathered on stage to sing "Happy Birthday". Wish I coulda been there!!!. The birthday boys new CD entitled "The Healer" will be released shortly.
A personal comment about NY, FL and JAZZ. Those of us who live or visit Florida and love JAZZ are blessed in a way. In The Apple if you go to any of the JAZZ clubs, you will pay a cover at the door. Anywhere from $20 to $65. That will be per show. Additionally there might be a 2 drink minimum (NY prices) at 12 to 16 dollars per. In our environs most clubs do not have covers or minimums. Some do and they are usually modest. $5 to $10 and that covers your evening of 2 or 3 sets. You don't have to travel far to hear great JAZZ and Blues in your hometown. Check the schedules on the web page and enjoy live music--------NOW!!!!
 
Dateline July 6, N.Y.C. (the Apple) Flo is still here (I mean There)---aah You know what I mean. The lady continues her evening schedules by visiting some of the JAZZ sites all around town. The latest is a cozy basement called "The Bar Next Door" which is in a restaurant, La Lanterna in Greenwich Village on McDougal St.  McDougal was the street before 52'd became The Street. It is again on the upswing or should I say upJAZZ. Flo went to listen to a trio with Benny Bernak III (trumpet) Emmet Cohen on organ and Bryan Carter (drums) . Emmet is an award winning recent grad of University of Miami. He is continuing his education while pursuing his career in New York. We wish him all the best. Flo reported that Emmets performance on the organ was even better (if possible) than his artistry on piano. Emmets parents, Marla and George and their friends Shelley and Howie (Howie teaches at the UM Business School) were there listening as well. Flo went on to say that Benny did vocals along with his horn playing and did some exceptional scat singing. Drum solos by Bryan Carter were responded to with enthusiastic applause. Other musicians came by to sit in and enhance the performance. JAZZ students from the Manhattan School of Music were among the Jammers. The Bar Next Door continues with this program called Emerging Artists with nightly performances starting at 6:30. Many of the JAZZ venues in New York are having earlier performances trying to get people before they go home and stay home for the evening. Closing with good news--Emmet says he may have some gigs down here. If he does, don't miss them. He will not disappoint.
 July 8, 2012
 
July 8, 2012
The stories surrounding JAZZ and the artists that perform it are rife with broken hearts and broken dreams. Rejection, repression and remorse.
Every once in a great while you meet someone who paints a brighter picture of the genre we love so much. Such is the story of Brenda & Joe.
The headline should read--
 

FAN PROPOSES

STAR ACCEPTS

--The scene is Baltimore, about 30 years ago. This guy Joe, likes his music. Sweet and hot. It is his habit to visit the clubs (in those years they weren't clubs they were joints) that had JAZZ. His days were spent at John Hopkins, his evenings around town. One night while out with a friend he heard Brenda singing. Joe, not being shy, took the opportunity to speak with the girl with the great voice. There was just a little bit of a spark. Long story short. Nine years later they were married and have been happily so for 20 years. When I say happy, I asked Joe how it felt to be married to a  singer who had so much joy in her songs (even the sad ones) his reply "A blessing". Asking the same question of Brenda being married to a professor of sociology (UM) she replied "Whenever I dare to be down he is there to hold me up". This conversation took place last night at Joe's Stone Crab in

South Beach. I want to thank Joe's for presenting JAZZ on Friday and Saturday nights as they prepare to close for the Summer

Brenda Alford's voice and demeanor reflect the joy of life that she feels. She has a full time career as an Elementary School teacher (soon to retire) but her vocals are that of a truly professional JAZZ artist. She is a favorite of many a good friend including Bill and Yale. At present Yale is hanging in NY with Flo and The Gang and is rueful of not having the opportunity to hear Brenda. Almost forgot the boys--boys??? in the band Paul Shewchuk (bass), Lenny Steinberg (drums) and the unfathomable Jouie Schneider (piano). At a table adjoining ours was a couple who had been brought together by Lenny 30 years ago. What a night for love stories!!!

Interestingly, Brenda, was brought up in the same neighborhood as Billie Holiday. Her mother attended the same school. When Brenda mentioned this it brought back to memory a 5 day gig that I played in a joint on Baltimore Street (the Block) in 1950. It was a strip club, down 2 flights of stairs

(say sub-basement). There were 5 dancers. They worked in the light of a baby spot (about 4 feet across) I still wonder about why they called them "Dancers". We played the same 10 note riff (with chord changes) for 45 minutes of every hour for 6 hours every night. That 10 note figure is etched into my brain like my childrens names.
 
Last Monday night of the month and that means only one thing. The MJC Rent Party. This was a party. A celebration of JAZZ and the artists that play it. The featured group was the Melton Mustafa Big Band. There is something about big bands that transcends musicians playing notes. The blending of reeds, horns and a rhythm section makes for a very special listening event. Melton was up and out front leading the band and playing like he had Gabriel on his shoulder. He had family members in the band including his brother and son. Some of the sidemen have been with the band as long as twenty years. Others, including David Fernandez (sax) and Dave Seigel (keys) have just recently signed on. They covered all the bases. Swing, bop, blues, ballads. Big bands are Big Bands. Nothing else to say except it's great to hear Melton and his wonderful ideas. Then the "jam" was on. Jim Gasior on keys, Joe Donato (sax&fife), Hannah (sax) and two youngsters, on bass and drums whose names I consistently and apologetically forget. Coming to the stage first was Mel Dancy, who always entertains. Mel was followed (as Joe put it) in alphabetical order and outstanding performances by  educator Brenda Alford, Dr. Lisanne Lyons and Professor Nicole Yarling. If I had been in any of these women's classes maybe I wouldn't have been thrown out of the schools I "attended". It was a star studded night with an SRO crowd.
Sunday 6/24. I was fortunate to get a ticket to an added performance by Dr. Lonnie Smith at Art's Garage in Delray. The Saturday show was sold out and sold out early. Unfortunately Dr. Lonnie doesn't appear in our area often enough. He is a rare talent. "The Garage" is  really an innovative venue.
A large room, great sound system, around 150 capacity with tables and chairs, bring your own bottle(s) of wine and variety of food or snacks. Sit back, hold your conversation and enjoy JAZZ like, it should be. The good Doctor knows the dynamics of B3 Hammond better than anyone I have heard on the instrument. From pianissimo to crescendo he is spot on. A couple of weeks ago in reviewing Sonny Rollins performance at the Jacksonville JAZZ Festival, I noted that Sonny played a lot less notes than he had done in the past but made each note count. I say the same for Dr. Lonnie Smith. It's not how many notes you play, it is how you play them. On the stage with Dr. Lonnie was Danny Burger (drums) and Randall Dollahan (guitar). All of you must have heard Danny at one time or another. In the six years I have lived hear I had never heard or heard of Randall Dollahon. Believe me, it was my loss. Wonderful, meaningful accompaniment and solos. Amongst the noted in the audience, Mr. and Mrs China Valles, Alice Day, Paul Shewchuk, Rita Dee, Richie Race and many others. Dr. Lonnie visited with his many fans both during the break and at the close. He is great to talk with and listen to!!!

Saturday6/23 The Overton JAZZ and Arts Festival. Parked the car (convenient) and strolled over toward the event site which is a street festival featuring food, arts, crafts and music. (is it sub-conscious that I mentioned food first). On the way I noticed a banner saying "Miami Cultural Experience". I have heard of the "Trolley" that takes you through the history of early Miami. The had an exhibit of early Overtown's musical history.
For those of us old enough to remember, and those who are to young to have experienced it, there was an era of "segregation" practiced in the Southland. Musicians who were allowed to play in the clubs and ballrooms were not allowed lodging in Miami or Miami Beach. Overton became their "home on the road". From top stars including Duke Ellington, Count Basie, Nat "King" Cole to sidemen, when they finally went to bed after the gig and the "jams" they slept in Overton. This manifested itself to there being clubs on almost every corner and every block in the area. The exhibit had copies of early newspaper ads and posters from the thirties to the sixties. Amongst them the King of Hearts where Sam and Dave appeared. Club Zanzibar/Louis Armstrong. Island Club/Etta James. Rockland Palace/Count Basie. Miami Station/Jackie Wilson and Moms Mabley. There was an ad in a publication called Nite Life. The date was 11/6/48 the cost 5 cents. It was for the Club Savoy and Charlie Spivack. If you want an idea of how long Jacksons Soul Food has been around, their telephone number in one of the ads was " 3 9444". Music and history buffs will love this exhibit. It's free and has a money back guarantee. Contributions and volunteers are welcome.
I spent the afternoon chompin' on wings, listening to Earnest Walker Jr, with Allen Paul on keys, munchin' some ribs, hearing Nicole Henry with Paul Shewchuk, Jaioe Schneider and Rudolfo Zuniga, scarfin' bread pudding. Wotta way to spend an afternoon. Left there and headed south to Joe's Stone Crab. Found a parking spot and did what most guys my age do.----took a nap. Woke up in time to get a table with my buddy Bill. Nicole's band had switched Rudolfo for Carlomag(nifico) Araya but the rest stayed the same. Considering her schedule she never fails to give her all and boy did she "swing". Her jumping rendition of "Route 66" got me to ask a lady to dance. We did a good old fashioned "Lindy". Following the accolades I called my cardiologist and he responded by telling me to take two aspirins and call 911.
 
Friday 6/22 I drove up to the box office of the Broward Center to buy a ticket for a performance of a play titled "Standing On Ceremony, The Gay Marriage Plays". Nicole Henry plays a role in it and I wanted to see her, in what I assumed was her acting debut. Turns out that the multi-talented Ms. Henry has been in film and on television before.  In a series of vignettes the arguments for and against legalization of gay "marriage" is discussed. The play is well written, wonderfully acted and provokes emotion and thought.
 June 27, 2012
 
June 22, 2012
The Apple--Flew to N.Y. to attend assorted grandchildren's graduation from assorted schools, visit with and celebrate Fathers Day with our adult children and soak in some of what the city has to offer in the JAZZ scene. Flo and I started our Saturday night by visiting a restaurant
 "Il Vagabondo" in Manhattan for an adult beverage or two. It was a regular haunt of ours back in our "ute". It's an unusual place because, as part of its charm it has an indoor bocce court. Jasper our favorite all-time bartender is still there (came on board in 1960) on Thursday, Friday and Saturday nights. We continued the evening at Caffe Tacci which features aspiring and established opera stars performing arias of their choice. "What has that got to do with JAZZ?" you might inquire. We can argue both sides but when a musical artist takes a piece and does their own interpretation and improvisation, I stand on the positive side. Flo, who is the worlds greatest "shmei-dreier" wrangled us last minute reservations at both Dizzy's Club Coca-Cola and Birdland. Dizzy's had an interesting presentation of Noel Cowards works in a JAZZ theme. There were plenty of New Yorkers with English accents in attendance and it was unusual but entertaining. Birdland had the Django Reinhardt JAZZ Festival which featured "The Young Lions of Gypsy JAZZ". From France were Samson Schmitt (guitar) Ludovic Beier (accordion), Pierre Blanchard (violin), Doudou Guillerier (guitar&scat vocals) plus from the Hot Club of Detroit, Evan Perri (guitar) Brian Torff (bass) was the host. An added feature was Great Women of Jazz which this night was saxophonist Anat Cohen from Israel. The band does evoke memories of the "Swing" era and gets those toes tappin' and hands clappin'. Flo and I are always impressed by the way the denizens of NYer's pay rapt attention when listening to JAZZ artists perform. Part of it is that the cost of listening to music in Gotham is high. Covers, minimums, etc. are costly so the audiences generally want to hear what they are paying for. 
 
Billy Marcus came back in to town and it seems everyone came out to listen. And why not!!! This all happened Wednesday at BJB's. It was almost like Miami JAZZ Co-op Founders night. On stage along with Billy (piano) was Paul Shewchuck (bass) and Danny Burger (drums). After a couple of swinging numbers, including a great Gershwin medley,  Ms Brenda Alford made her presence known with her animated and dynamic renditions. Turk Mauro was there and came up in the second set with a mellow "Body and Soul". Jack Seigel and his wife were there as were the "regulars" including Stan, Bill, Tommy. Babette, Michael, Ron, Flo and I. Charlie Boyer (South Florida JAZZ and Blues) has just returned and he was taking pix and videos whenever he stopped tappin' and clappin'. The Billy Marcus Quartet --Eric Allison (sax/flute), Don Mosley (bass)and Gary Duchane (drums)-- will be inducted into the South Florida JAZZ Hall of Fame this Sunday at the Joseph Caleb Center 5400 NW 22d Ave. Other inductees for this year include Melton Mustafa, Blue Mitchell, Nancy Murphy, Billy Rolle and Bill Peeple. For JAZZophiles this event is better than the Super Bowl. The "season" is over. Now is the time to get out Around Town in Nothin' Flat and 4/4 Time. Support live JAZZ and all the new venues and it will continue to thrive in South Florida.

June 8, 2012
 
June 5, 2012 Sunday, Flo, I and a few of our rowdy friends wended our way to Blue Jean Blues to see and hear Wendy Pederson backed by Danny (the one and only) Burger, Jaime Ousley (the Doc) and Jim (jammin Jimmy G) Gasior. One of our friends is Oscar Corbella who at one time starred in Latin "novellas" (soaps to you). He was gracious enough to capture some of it on video which we hope you will be able to see on this site. We will try. Wendy is as dynamic a songstress as you will ever get to hear-----and a travel agent as well----she managed to go from "Oh What a Beautiful Morning" (Oklahoma) to a "Night in Tunisia" in the same set. It was a heck of a long flight but it was great having Wendy as our guide. Summer is here and it's getting easier to grab a seat at our favorite haunts and it seems that more places are starting live music programs. They deserve some support and we will try to review as many as possible.
 
Thursday, the last day of May, 2012 brought Flo and I to a new room (for us) featuring JAZZ. Bistro Mezzaluna  in Fort Lauderdale started a program of weekly JAZZ that will continue on Friday nights. The barroom of the restaurant is really conducive to comfortable listening. The programs  band is made up of Clarence Palmer (B3 organ), Rick Harris (piano, trumpet, sax, vocals and anything else he can get his hands or lips on) and Tito Cruz (drums). They plan on featuring a different vocalist every week. Thursday night they had DeeDee Wilde. Ms. Wilde and the trio had us, you know what, with our hands and toes. Best wishes for future performances both to the group and Bistro Mezzaluna.
 
Wednesday was a Blue Jeans Blues must. Why, you ask? Danny Burgers Showcase would star the indefatigable bopper Ira Sullivan. Ira, (as opposed to Wendy Pederson's guy who won't) always delivers. Of course he was ably backed by Danny (drums) Dr. Jaime Ousley (bass) and Mr. Brian Murphy (piano).
 
An interesting note: Over the past weekend Flo and I went up to Jacksonville Jazz Fest and on Friday night were fortunate to hear the renowned saxophonist, Sonny Rollins. Ira, Sonny and I are all around the same age and still hanging out. Like China and Thelma said "It's the music." 
 
Tuesday was "blues" night at Fish Tales. Muggy Doo (B3) Mr. B (bass guitar) Andy G. (drums) and an astonishing Patrick Friones on guitar. This young man "can play".
 
Sunday the Jazz Festival events were cancelled due to tropical storm Beryl. We packed up and headed south. Flo asked about our ETA in Boca Raton. After taking into consideration the number of bad drivers we might encounter I gave her the appropriate info. "Great" she exclaimed, "Just in time to catch the guitar shoot-out that the South Florida Blues Society was putting on at the Funky Biscuit." We had heard about this club, but had never been there. We did make the stop and were glad we did. The Pit Bull of Blues Band backed a line-up of both established and rising blues stars. It was a great afternoon of music. The room is comfortable and nicely decorated. In spite of how busy they were the service was attentive. We didn't get the opportunity to speak with the owner, Al, but would like to encourage him to offer JAZZ on some nights in the future, We will be back.
 
Saturday morning after a substantial buffet breakfast we strolled over to the Jacksonville Landing. This one of the venues in the Jazz Festival program. Scheduled for the morning was the Generation Next Competition. This brings youngsters to the stage competing for scholarships and funds to further their musical education. The competitors included an 11 year old guitarist. There were two rounds and the 11 year old made it into the Final 3. Up next was the Noel Freedline Quartet with vocalist Renee Dickerson. I wouldn't miss these guys (and gal) for the world. Well, heavens to betsy, neither would Chuck Bergeron or John Yarling. We spotted them while the band was setting up and they joined us to enjoy the performance.
 
Later that evening they would be on stage, along with Shelly Berg and the Jacksonville Symphony to accompany Patti Austin in a concert. Wonderful day so far and it wasn't over. We strolled back to the hotel for a cocktail or two and a snack. I "bunked"--(that's New Yorkese for bumped) into Emmet Cohen, who had competed as a finalist in the Piano Competition on Thursday. Emmet finished in 2d place but the winner was a young man Emmet had given some pointers to at a previous meeting. My conclusion is tha not only is Emmet destined for future fame but he is a great educator as well. Emmet and his fellow musician Arman joined us for a drink. They both had to show proof of age. We then returned to the Patti Austin performance.  Beautiful evening and an even more wonderful show.
 
Onto the hotels midnight jam session and another beverage or two. We stayed late enough to hear Shelly do a couple of great solos but left just as Chuck and John were coming in. Of course they are both younger than I (not including Flo) and are allowed to stay up later.
Friday morning we are up and out early for trip to the Jacksonville Jazz Festival. A couple of breakfast sandwiches and coffees from Panera and we are "on the road' looking forward to a weekend of JAZZ. We make it in ample time for a light lunch and some freshening up. Then we "schlep" the folding chairs we had recently purchased, and will soon return, (too heavy to tote) over to the "Swinging Stage" for the evening. The concerts are all free and attract throngs of local and visiting JAZZophiles. We sat down next to a couple of local guys. When the conversation started it turned into a "do you know or remember" contest. The old bird next to me really put me to the test, but I, being the better man (read a little older) finally came out a little ahead with Tiny Kahn, a very early day be-bop drummer. The music started with the local Karrin Allison Quartet. They were followed by the Bela Fleck-Marcus Roberts trio. They got Flo and I tappin' and clappin'. Sonny Rollins and his band followed. OH YEAH!!!! Listen to this. Sammy Figueroa on congas, Peter Bernstein (guitar) Toby Watkins (drums) Sonny with that amazing head of white hair and great looking snow-white beard drew accolades from the audience. His great rhythmic sense augmented the scarcity of notes and created a stirring JAZZ experience. He concluded with a blues number where he both played and sang. He put everything he had into the song. Unfortunately it took too much out of him and he could not continue. HUZZAHS to Sonny--a really stand-up JAZZ musician. Back to the hotel for the midnight jam and looking forward to Saturday.

June 1, 2012
 
May 23, 2012
Tuesday found us continuing our quest for sounds, wherever and whenever. Tuesday night at BJB's it was Jaimie Ousley with Samm. A special guest was Frederico Brito on violin. Frederico is a true Maestro. His playing is a lesson in sensitivity. On drums was Carlo Mag(nific)o Araya and that speaks for itself. Samm's song selection was a delight and was well received by the audience. We bounced over to Fish Tales to listen to Patrick Friones and some blues. We were not disappointed..
Tuesday morning I had a dentists appointment. One of the worst things one can endure is sitting in a dentists chair. Almost as bad, is sitting in the waiting room. I steeled myself for the upcoming events. I walked in and was stopped midway in the door opening by the sounds being played on their system. Sirius, the Real Jazz Channel. My attitude toward the waiting room changed immediately. Yes, the sound (muted) could still be heard while I was attended to by my dentist. We talked about JAZZ, scuba diving and trotters. Back in the day Mitchell Evedon DDS. was playing drums with traveling bands along with Debbie Orta. I love JAZZ so, that I wondered if I would trade my excellent treatment for the opportunity to hear Dr. Evedon driving the band behind a trap set.
Monday was the monthly MJC Rent Party. A week early due to the upcoming holiday. The multi-talented Rick Harris was the featured artist. Jaimie Ousley (bass) Carlo Magn(ific)o Araya (drums) and Joe Donato (sax) completed the quartet. Rick played everything else---keyboard, trumpet, etc. Lots of the founders and other musicians showed up for the jam. Among those were Martin Hand, Lisanne Lyons, Jack Siegel, Tito Cruz, a wonderful baritone visiting from Sarasota amongst others.
Sunday, Flo and I found a new place for music in North Miami. A small cozy cafe named The Alaska Coffee Roasting Company held an event for the "Real" Tracy Fields (WLRN).  Valerio (Sound of Vision), Sam Chioda (bass) Ed Balzola (guitar) and a soulful trumpeter named Stuart played for a group of JAZZophiles who showed up. China Valles and his wife Thelma arrived and they both looked great. I asked them what kept them so young and vital. In unison the reply was "the music". Flo and I heartily agree. Miss Alice Day was there on her way to another performance. She was gracious enough to do a couple of well-appreciated songs. Jaimie Ousley accompanied by Nanami Yokomara were there and went on to listen to Alice at her scheduled date.  The owner advised us that she hoped to continue a JAZZ program in cooperation with the FIU and MiamU music departments. Great news!!!
Saturday night was another treat. Nicole Henry at Joe's Stone Crab in south Beach. Joe's runs a JAZZ program on Friday and Saturday nights until their closing before the summer. Nicole was stunning (that's a Flo word) in a red flouncy chiffon (that's me). Rudolfo Zuniga on drums, an amazing Emmet Cohen (piano) and a bassist whose name , unfortunately, I did not get. Ms. Henry did a program of standards that had us all clappin' and tappin'. By the way Emmet is a finalist in the JAZZ piano competition at the Jacksonville JAZZ Festival this upcoming weekend.
A couple of weeks back I told Nicole that Adam had her in mind when he buried that rib. I continue to make that a foundation of my faith in the Old Testament.
Friday night at the beautiful Aventura Cultural Center a performance by Ken Peplowski and the South Florida Jazz Orchestra. The first set was all Benny Goodman numbers as arranged by Fletcher Henderson. Listening to Ken and this great band made you understand why they called the music of that era "Swing". If you weren't tapping your feet you should have called 911. The band, directed by Chuck Bergeron, included Ed Calle, Joe Donato, Gary Keller, Ken Mattis and Mike Brignola (saxes). Dante Luciani, John Kricker, John Fedchock, and Major Bailey (trombones). Jesus Mato, Pete Francis, Cisco Dimas and Scott Dickinson (trumpets). Brian Murphy (piano) and John Yarling (drums). It was a great night of music and a big step forward for the MJC and its future.
 Up beat, down beat, flatted fifths, complex changes, swinging solos, jam sessions---who could ask for anything more?
 
Starting with the Monday after Mothers Day and going back over the weekend it all condenses down to one word GREAT!!!!. Monday evening we enjoyed a shared Chinese meal with friends. After dinner our friends went home. They are a little younger than Flo and I and are not used to staying up late (10:30). We went on to a night at Fish Tales. AndyG (drums) and Moogy Doo (B3)--(I call them the the MOOGY-GOOJEE Duo) were on stage with Ed Terry (vocals). During the 2d set, they switched around. Andy G (harp & vocals) Ed Terry moved to the trap set and Moogy Doo blowing the B3 to pieces.  We left at midnight in order to be in bed before sunrise.
 

Mothers Day started with roses and greeting cards. It continued with a traditional Mothers Day brunch. Flo consuming nova, cream cheese, bagel and assorted meats and potatoes and---and----. I was content with a couple of dozen oysters and three or four handfuls of crab legs. All of these accompanied by the usual Sunday "soft" drinks. ie: Bloody Marys, screwdrivers, mimosas etc. We continued on to 33d Street. Fish Tales and Blue Jean Blues. Fish Tales runs an Invitational Blues Jam hosted by Dr. Bob. This week it featured Joey Gilmore and Darryl Raines. Others sat in including Niles on harp. Lots of fun and soulful blues. On to BJB's. Barbara Vann and her Sunday Jam and Rita Wilburn with Jeff Prime. In the 2nd set Rita was joined by Sistah Mary Beth and Betty Pagent. The trio tore the House down. Niles came over from FT's. He sat in and had the BJB crowd on their feet with "Ain't No Sunshine When You're Gone". We left at midnight with our toes tappin'.

 

Saturday Flo and I traveled north. No, not to visit our kids and grand kids. We were headed for Art's Garage to listen to Troy Roberts and the Nu-Jive Band. We had been meaning to visit this venue before. Troy provided the strong motivation. The venue itself is a treat. Nearby parking, ample seating space, and an audience comprised of very seniors, somewhat seniors, middle agers and young folks (under forty). Nu-Jive presented a program of numbers from their soon (next day) to be recorded CD. The listeners paid rapt attention to Silvano Monasterios's magnificent keyboard solos and Troy's wonderful rides on tenor sax. They applauded, whooped and hollered in all the right places and sat entirely through both sets. Even the band was surprised at this JAZZ knowledgeable group. Congrats to NU-JIVE, the audience and the venue management. By the way, Troy Roberts will be heading for The Apple shortly. Flo, I and the entire JAZZ community wish him all the success possible. We will definitely be back to Art's Garage. It still being early we wandered over to Atlantic and Johnny Brown's for some blues and funk. Bobby Nathan, Doug Treen and Raoul Hernandez provided the entertainment. Again a great night all around. Progressive JAZZ, traditional blues, a glass of wine and each other. WOW!!!.
 

Friday. Flo's boss (Archcare) was in town (from NYC) with his wife to celebrate her birthday and Mother's Day. We arranged to pick them up at their hotel and then off to a tour of South Beach. After a ride down art-deco drive we headed for Joe's Stone Crab. Their evening JAZZ program will start this Friday and Saturday with Nicole Henry. We recommend coming to the Ken Peplowski concert on Friday and then listening to Nicole on Saturday.

Post dinner the girls strolled Lincoln Road and then Upstairs at the Van Dyke for Sammy Figueroa, Silvano Monasterios, Troy Roberts, Cisco Dimas, Nomar Negroni and Nicky Orta. Our guests loved it, we loved it and everybody else did, as well. How could you stop yourself from shakin' your shoulders and rorating those hips, even in your seat?

Hey all you JAZZophiles! Would you care for some Coltraine with your burger and fries? How about a Big Mac with some Charlie Parker on the side? I brought my car in for service and had time for lunch. An adjacent Mickey D's provided a quick and easy solution. As I walked in the door I was greeted with the usual piped music. Nooooo! Not the usual. JAZZ! Unadulterated, listening to type, JAZZ.  I have visited this McDonalds before and I believe I have mentioned it. It and its franchisee is worthy of mention again. NCB Inc. is the parent. They have 18 locations(addresses available on their website) playing JAZZ on their systems. I congratulate them for their interest in JAZZ and encourage them to continue. There are people out there listening!!!

May 15, 2012
 
Sunday was my kind of day---JAZZ from sunrise 'til midnight. Started the day with breakfast (of course) and watching thr stream from Essential Ellington. Talented high-schoolers competing for the award. During the break in the broadcast I headed for the Riverwalk JAZZ Brunch to listen to Debbie Orta with Mike, Nicky and Carlomagno. Then back home for the afternoon broadcast and the announcement of the top 3. South Florida did it again, Dillard and New World right there. Now it was time for an early evening libation. I use that term because I don't drink until dinner time. Flo and I headed for Fish Tales. One of our favorite blues guitarists, Darryl Raines, was playing with Clay Goldstein (harp). Clay is also a "fav" and was recently married. Congratulations. On stage with them was the host Dr. Bob (drums) Dr. Bob Cleary (bass)  and Julius Sannon (guitar). When you listen to bands like this you just must fall in love with 'The Blues".
Following this early set was Bobby Nathan and his band. Bobby (guitar), Andy G (drums), Muggy Doo (B3) Doug Treen (sax&harp) and Steve B (bass). The Bobby Nathan band ain't Swiss Cheese either. They had everybody clappin' & tappin'. They were joined by Patrick Friones (guitar) and Darryl. We stayed late and enjoyed every note. Can't wait for big band night at Satchmo's on Monday. We understand that they will show the competition in full again during the week. Flo will do the research and we will try to let you know, when, where and how. 

May 6, 2012
 
May 3, 2012 Flo and I ventured forth Wednesday, the weather having cleared, and ended up at the Van Dyke. Actually it was our chosen destination. And, what a great choice it was. An evening of 100% pure-unadulterated JAZZ. A quartet made up of Troy Roberts & Gary Keller (tenor sax's) Emmet Cohen (organ)and Dan Susnjar (drums) played a program of contemporary JAZZ classics. The group was so good that even the folks at the bar were silent. The audience paid rapt attention to every note played. Rick Katz had joined us at our table. Midway into the first set a woman arrived who sat down with a gentleman at an adjoining table. She commenced talking immediately and continued into the next number. Rick and I were rolling our eyes. Flo decided to be direct and in a polite, discreet, typical New York manner ask the lady to please refrain until the break. What Flo actually said, having been born to the manor, sounded a lot like "Shut Up!!!" to me. The woman did, shut up I mean, and then picked up her Blackberry and commenced texting. I imagine she was telling all her friends what a nice woman she had just met.

The MJC did something different Monday night. It took a step away from what we typically call JAZZ and featured a band named "Gaucho". The band takes its name from an album done by "Steely Dan". The program consisted of music played by the "Steely Dan Band". Was it JAZZ? Rock? Fusion? Acid? Metal?---I am not a musical scholar so the answer evades me. I do know that the level of musicianship was at its height. I had heard some of the musicians in the band before, some others I hadn't even heard of. Their presentation was flawless. Every solo a lesson on performance art. One side of me was loving it. The other side felt resentment. This was the music that helped bring about the demise of JAZZ popularity in the U.S.A.
It wasn't the music's fault. It started with the novelty tunes like the ones done by Louis Jordan. Then "doo wop" with The Belmonts, Duprees and Little Anthony. Coming up The Beatles, Rolling Stone. Next the Beach Boys "There's a Riot goin' On" "California Dreaming" , The Allman Bros. Band  with "RamblinMan" and "Sweet Melissa".  Then "Guns & Roses", "Kiss", "Metallica" and "Steely Dan".---"Hip-Hop", "Rap". Rock, Hard Rock" "Acid" "Metal"  The popularity of JAZZ waned. Venues closed or featured the latest craze. JAZZ gigs were hard to come by except in Asia or Europe. I was upset by the trends. Now I have to confess I was wrong. Music will always be modified by the young people attracted to it. It is a natural progression. My older siblings liked Basie, Ellington and Goodman. I liked Kenton, Raeburn, Gillespie and Parker. 
Prior to the "Gaucho" set, we had the jam. Unfortunately, one or two too many rum and tonics clouded my memory so the names have eluded me. My sincerest (hic--hic) apologies to everyone who got up there to Jam for us.  
 
I finally got around to reading last Sunday's New York Times. No, I do not do the crossword, or should I say I can't. On next to the last page of the main section, there was a full page article about a saxman by the name of Guiseppi Logan. Mr. Logan is a 76 year old JAZZ musician of my generation. The story of his past is tragic and in someways uplifting. Drugs were his downfall. His escape from its terrible hold, brought to mind the people we've known and loved who were lost to this devastating habit.
When I was 16, I was fortunate to have had some music lessons and a good "ear". Unfortunately, I had little talent and was too lazy to study harder.I could fake it just enough to put together a quintet to play the Borsht Belt and lucky enough to meet a comedian, B.S. Pulley. Mr. Pulley had a small club in Miami Beach named the "Pump Room". He needed a band that was dumb enough to take his checks on payday. There were plenty of joints in Lummus Park (now known as South Beach) that had live music and livelier girls. The Pump Room had plenty of girls. None of them danced on stage, although they waltzed in and out the door with regularity. The band played "Love For Sale" & "Boulevard of Broken Dreams" at least 15 times every night.
There were lots of young cats in bands all around the town. Most, if not all, smoked "grass". The few who were playing big times gigs, would occasionaly snort cocaine. Those who could not afford the price of "white lady" might shoot the less expensive, but decidedly more addictive and deadly, heroin."Horse" was the scourge of JAZZ musicians in my younger days. Two of the talented young musicians I met died of overdoses before their 19th birthday.
Think about the entertainers we loved. The hippest comedian I have ever heard, Lenny Bruce, died on a dirty bathroom floor,with a "spike" in his arm.
Just recently Whitney Houston was found dead---in a bathtub. Chet Baker, Stan Getz, Janis Joplin, Jimmi Hendrix, the revered and loved "Lady Day" and many others have paid the dearest price possible for a love affair with drugs.
I write this selfishly. Drugs not only took the lives of so many but they stole the hours of pleasure I might have enjoyed if they had lived.
Guiseppi Logan lives day to day. Playing his sax on a park bench in New York City. Guseppi has not lost hope. He recently recorded a CD which he tries to sell to passerby. Somedays he sells one or two. Other days none. Few stop to listen to him play. As a young man he was critically acclaimed. Drugs stole his life. Don't give them a chance at stealing yours.
Wriiten in memory of---------------------

April 28, 2012
 
April 14, 2012
Talk about going around town in nothin' flat. Flo and I have been on what seems to have been a road trip. But well worth the miles in exchange for the sounds. Wednesday night Nicole Henry returned from her tour of Russia to appear at BJB's. As tired as she must have been from the long flight earlier that day, she put on a fabulous frock and sang her heart out for an appreciative CROWD. The rhythm section was the band she played her first JAZZ gigs with in the not so long ago. Danny Burger (drums), Mike Orta (piano) and Paul Shewchuk (bass). Thursday, almost right around the corner at Kitchen 305 (Newport Hotel), Maria Rivas also returning from Europe played with a great quartet including Jaimie Ousley (bass). Friday we bounced around from here and there including Satchmo's and ending up with Ike Woods Revue at BJB. Saturday, we joined Rick & Fran Katz for a concert at the Miami-Dade Cultural Center. This is a must go to venue. The theater holds 900 and is architecturally magnificent. Superior acoustics and sound system make the listening experience even better. The Turtle Island String Quartet were performing a tribute to the music of John Coltrane. What music lover could miss it?  Truth be told, it will take a little time for me to become comfortable with the voicing of a traditional classical string quartet playing "the Trane" charts.  On the way home, after all it was only around 11 PM, we stopped at Gamaroffs on Federal Highway to catch the last set of Anthony Corrado and Lourdes. A bunch of folks hanging out late, clappin' their hands and tappin' their toes. Thank the Lord for Sunday. Sleep late and then music, music, music.   First to Fish Tale for Patrick Fiornes and some blues. Then to BJBs for Barbara Vann, Mike Orta and Linc Lacky and their Sunday Jam. We scooted up to Commercial, where a German restaurant we like had set up temporary service, for dinner. Back to BJBs for the American debut performance of Nanami Morikawa. The room was abound with many well known South Florida JAZZ stars. Wendy Pederson and her bass guitar husband, Lisanne Lyons, Rick Harris, Samm, the Real Tracy Fields, and MJCs Rick Katz. All of the aforementioned (except Rick Katz, thankfully, and Tracy) gracefully took the stage during the 2d set. Ms. Morikawa captured the audience with her very first song. Her rhythmic sense and proficiency at bending melodic lines made for an astounding performance. Please excuse the superlatives but they are all well deserved. Nanami was surrounded by all the talent you could fit on that small stage. Carlomag(nific)o Araya (drums), DOCTOR Jaimie Ousley (bass) and Jim Gasior "Jimmy the Jammer G" on piano. Wendy, Lisanne, Rick and Samm helped make the evening an exceptional night of hand clappin' and toe tappin'. Flo and I are taking Monday off to sharpen our ear drums for the rest of the week. Don't forget the tribute to Benny Goodman with Peplowski and the South Florida Jazz Orchestra coming up soon. Get your tickets early.
 
Somebody must have told them where Flo and I live. JAZZ is sprouting up in places so close I might take up walking. (That's a joke).  A roast beef restaurant named Gamiroff's  started their JAZZ program Friday night with Troy Anderson and the Wonderful World Band. Dolph Castellano on keys, Rick Dahl on Bass and Tito Cruz on drums with Troy playing trumpet and doing vocals. The room is perfect for JAZZ. High ceilings, oval bar, tables and hi-hats, attentive service and reasonable prices on menu items. We stopped by late and there were still JAZZophiles hanging out and diggin' the sounds. Gamiroff's is on Federal Hwy just south of Hallandale Blvd. Kitchen 305 continues its Thursday night JAZZ session with Maria Rivas having returned from a trip to Spain. They are located in the Newport Hotel in Sunny Isles. I could probably swim there if I was 30-no-40-no-50-no-60, yeah! That's it. 60 years younger. No walking, no ocean swimming, just tappin' my toes and clappin' my hands to JAZZ/JAZZ and all that JAZZ. 

April 14, 2012
 
April 11, 2012 We're back. Flo and I, I mean. Just in time to catch 4 MJC Founders at Blue Jean Blues this Wednesday. It's Danny Burgers showcase and tonight the spotlight was on Joe Donato. Actually they used broad beam because joining Joe on stage were Brian Murphy (piano) and Dr. Jamie Ousley (bass). The band started the evening with a series of Duke Ellington numbers with Joe utilizing the teeny soprano sax. (I told him not to put it in the dryer). A few numbers later he strapped on the new tenor sax. New as in 1957 model Selmer. What tone and what verve Joe displayed. I think that tenor saxophones are like Viagra to reed men. You could hear Illinois Jacquet, Gato Barbero and even the young new cats like Troy Roberts in Joe's very original playing of this horn.

BJB is coming up on its third anniversary and has been consistent in its search for talent that brings joy and happiness to BJB's customers. They have a loyal cadre of JAZZ lovers in attendance every night. Melody and the whole crew continue to improve with age.

Newest addition to the JAZZ scene is Gamaroffs on Federal Hwy. in Hallandale. JAZZ Friday and Saturday nights
 
"Sad to say were on our way, won't be back for many a day" This Wednesday was the last of the season for the JAZZ in the Gables event. Sad in a way but joyous in another. Wendy Pederson capped the year with a smile on her face and in her voice. The "Take Out Queen" was the "Rhythm Princess " of the day. As part of her performance, Wendy wove two songs together. "When I Fall In Love" and "Since I Fell For You". Unusual combination but she made it work. Wendy was backed by an all star trio consisting of Jim Gasior (piano), Carlomagno Arayo (drums) and Julio Hernandez (bass guitar). I don't in any way mean to impugn Julio's machismo but he is Wendy's husband and in many circles he is known as Jay Hernanderson. (just kidding) He is, as they all are, a very talented musician and is usually on tour with headlining groups. We had a great crowd of listeners including the Mayor, our oldest fan (the shimmy lady) who is over *=&@!<: old and our youngest fan, David (not quite 6) and his brother Antonio. They were delighted to meet Wendy who also has a son named David and another whose middle name is Antonio. Mike Cadan, who sat in at the Rent Party on Monday night, came by just in time to hear Wendy's original composition "They Call Me The Take Out Queen". His reaction to the lyrics was audible and visible. Everyone else enjoyed it as well. I'll close with "Good Night Sweet Series"  

March 28, 2012
 
March 27, 2012 Miami JAZZ Co-op's Rent Party this past Monday proved how powerful a music force JAZZ has become in South Florida. The co-op is about to become two years old and has formed a coalition of musicians and listeners that is a wonder. The audience Monday night had as many musicians who not only come to jam but to listen to their fellows perform. It was a heck of a night. The rhythm section to start the evening had Brian Murphy (keys) Carlomagno Arayo (drums) Martin Hand (guitar) and young Jeff Saunders (bass). Gary Keller was out front on Tenor sax. Michael Cady was in town and delighted the audience with the fun filled parody "Benny's From Heaven". Who was listening besides a throng of loyal and newcomer fans? I saw Jim Gasior, Chuck Bergeron, Wendy Pederson and many more. Lisanne Lyons was the featured artist. note: I had known that Ms Lyons was a distinguished educator but found out last night that she has a PhD. as well. From now on it will be Dr. Lisanne. Suddenly I find myself knowing more and more doctors. Fortunately most of them are musicians and not physicians. The good Doctor had listeners leaning forward in their seats and tappin' their feet. Back in the day, they would have said "Great pipes on that chick". Today, respectfully I just say "WOW".  Jim, Chuck and Carlo accompanied her on a dynamic 1 hour set. After the featured set the Jam began, If you weren't there you missed a very exciting performance. Again it was the younger playing alongside the elder. Emmet Cohen (21) was at the keys while Brian Lynch played vibrant trumpet. They both are at Miami U's Frost School. Emmet a student and Brian on the faculty. We have a great number of young talented JAZZ players here in South Florida. To bring special attention to them the MJC and The Stage will sponsor the first Student Rent Party in the coming weeks. Reserve that date for a sure to be opportunity to listen to the JAZZ stars of the future. Another bit of good news is that MJC's relationship with The Stage has been scheduled to continue until the end of the year. There are several other events scheduled so check the website for more information. A shout out to the guy I call "Carlomagnifico". No other drummers in the house. Not to worry. He did all 3 sets and didn't even break a sweat or sticks.---toes tappin', hands clappin' enjoying the heck out of life and all that JAZZ.
 
Wednesday continues to be JAZZ day in south Florida. Afternoons at MJC's event, JAZZ in the Gables and evenings with many choices. This week at the noon session Rodolfo Zuniga headed up the band with Dave Siegel (keys) Eric England (bass) and Dave Fernandez (all the saxes). I'd like to make comment on creativity. Creation is in His hands. Creativity is in the heart and mind of all JAZZ musicians. The group proved it, playing original compositions by each of them. In addition I think He approved as the rain was held off and even a little sunshine peeked through. Part of the museum is an old fire house (maybe the first in the Gables) complete with bell tower and bas-relief of firemens' heads and helmets. Last time I mentioned some of the more senior listeners. This week we were joined by David (almost 6) and Antonio (he's already 7). The two boys and I must share some DNA as they were bobbin' their heads, clappin' their hands and tappin' their toes through-out the performance. It reinforces my hope that JAZZ will continue to evolve and thrill us.

March 8, 2012
 
March 6, 2012 The news of Lou Columbo's tragic accident spread through the South Florida music scene the other day. Although Lou only played here during the "season" he was a well listened to trumpeteer. He played with his best pal Gilly DeBenadetto(sax) every Monday night at Pa' Degenarros in Fort Lauderdale Beach for many years. This Monday a host of musicians and fans paid tribute to his memory. Looking around the room I saw faces I recognized from other music venues. Lots of well known JAZZ players were there as well.

Sitting in with the band were Dolph Castellano, Rick Harris, Linc Lackey and Mari Bell amongst others. A good number of local cabaret singers performed as well. I'm sorry that I didn't get their names. It was a celebration of a fine musicians life and a fitting memorial. Rick Harris was playing bass when we arrived. During the break, a friend of mine asked him to play trumpet for the audience. Rick walked over picked up his cornet and returned to us, silently lifted the horn to his lips and blew a beautiful rendition of Hoagy Carmichaels "Stardust", without any accompaniment. It blew the listeners away. During the next set a gentleman friend of Lou's sang "Smile" in tribute. We hope and pray that Lou is now safe in His hands, standing alongside Gabriel, Dizzy and Harry James.  
 

The two JAZZ spots described in the following are probably just 35 miles apart. A half hour or so on the famed I95. Ideologically & musically they are twins. But in no way identical. Wednesday afternoon at 12:15 the MJC presents JAZZ in the Gables at the Coral Gables Museum. Wednesday night at about 8:00 the Danny Burger showcase at BJB's. MJC had Troy Roberts on Tenor. BJB had Ira Sullivan on horns. One from the era to come. One from an era past. Both incomparable artists. The venues are a different matter and represent the complete opposites of the JAZZ spectrum. JAZZ at the Gables is held in an almost pristine courtyard with listeners basking in the sun or chilling in the shade of an umbrella. Danny's showcase is in a JAZZ joint with JAZZophiles standing elbow to elbow at the bar or crowded together at small tables. The Gables hushed, BJB's raucous at times. I am fortunate enough to find either location "convenient" travel wise. When JAZZ men like Troy & Ira are appearing it wouldn't make any difference. Flo and I would make every attempt to be there to listen. Troy's rhythm section had Dave Chiverton (drums), Derick Fairholm (keys) and Eric England (bass).

Ira had Danny Burger (drums), Brian Murphy (piano) and Dr. Jamie Ousley (bass). I don't have to tell you that I enjoyed every moment and every single note of both bands. A group of  about 25 American Veterans came to the Gables. They honored us all by their presence and hope they return. Rick took the opportunity to thank them all for their sacrifice. We hope they choose to return.

A bunch of guys and gals I know and don't know were at BJB's. Young, old and in between including Tommy and Babette and Yale and Isabel and Deborah and Duane and Bill and----I could go on through fifty or so names of folks we recognized but I might choose to take a nap instead. Anthony Corado and Lourdes entertained prior to Danny's Showcase. Interestingly, as part of their segment Lourdes sang "Wade in de River" which was one of the spirituals sung at St. Johns this weekend. It made me, once again realize, how deeply rooted JAZZ is in American history.   Hey!!!! A shout out to Mike Orta who celebrated his BIG 50th. Feliz Birthday to you, Mike. A thought just came to me. (A thought you say????) Yes!!! Whenever I try to say a particular musician is a favorite of mine, I realize that they are ALL favorites and that is why we always have a place to go to listen to our beloved JAZZ. 

 

March 1, 2012
 
February 22, 2012 Monday and Tuesday, Flo and I went up North (Palm Beach) to visit with three of our grandchildren who were visiting with their other (wealthier) grandparents. We thought we would catch some of the bands playing up there but the kids kept us busy during the day and left us exhausted at night. The reason for mentioning our grandchildren will become clear shortly. Wednesday became another day/night doubleheader. The afternoon at Jazz at the Gables was, without equivication, (in deference to the collegians who performed) JAZZ vocal perfection. Boys and girls (I use that terminology 'cause they are all of an age that they could be our grandchildren) no let me say, young women and young men proved to me that our beloved JAZZ is in good hands and will continue to be so for many years to come. Under the direction of Larry Lapin, the choir and accompanying rhythym section ran the gamut of JAZZ genres. Straight ahead, Latin (with a pair of the young women playing trombone and another doing a great flute solo) and spiritual. One of the selections was actually a tone poem done by graduates of the program under the direction of Dr. Lisanne Lyons. The singers using their voices as instruments, had the audience mesmerized, with jaws agape but still tappin' their toes. The hand clappin' came with the Gospel-tinted "This Little Light".  I wish I had each and everyone’s name to list because they are all worthy of mention. If you missed it, I do feel that you missed something very special.  A husband and wife team, Barb & Randy Weatherly came all the way from Bartlesville OKLAHOMA. The couple are ardent JAZZophiles and loved the afternoon. They listen to live JAZZ, back home whenever they can. It equates to once a month at a place called "Copper" in their hometown. It was great having them there to enjoy this wonderful afternoon of JAZZ at the Gables. Yes the hands and feet were in motion all afternoon.
 
We are going to take a moment to say a few words about JAZZophiles. I know some who are as young as 9 and some who are as old as 90.  Some of those 90 or better are well known around town because they are out and about. There is Annapora (the shimmy girl) who is at every Wednesdays Jazz in the Gables concert. Kay who was clapping ,tapping and bobbing her head at St. Johns on the Lake when Ed Calle and Chuck Bergeron were there. On to Babette. This lady has a permanently reserved seat at Blue Jeans Blues.  Finally my good pal Tommy--out every night seeking the best around. JAZZ itself is not conscious of the age, sex, faith, nationality or race of its devotees. It's only desire is to have you listen.

Sunday night the "blues" were still in town, visiting at BJBs. Rita Wilbern (vocalist) with Jeff Prine (guitar) Lloyd Tucker (drums) and Mitch Goldstein on a brand spanking new Hammond SK2. Rita can make an audience chuckle or weep with her soulful renditions. That new SK2 has as rich a tone as the well renowned Hammond B3. I know that BJBs appears often in what and where I write about. Part of the reason is that there is live JAZZ, 7 nights a week. There are even some late afternoon (happy hour) presentations a Sunday JAZZ brunch and evening Jam Session. Sometimes, on a really busy night, when the joint is jam packed with folks having a good time, you might see Mike, the bar back, carrying a case of loose wine bottles, that’s right 12 bottles, in his arms. I believe this to be a remarkable feat. If you are going to attempt replicating this task, I strongly suggest a cheap wine and soft surface to practice on. We are heading up to Palm Beach Monday and Tuesday to visit with our grandchildren. We will search out the music once our little darlings are abed. With our toes tappin' and hands clappin' we hope to see you Wednesday afternoon at JAZZ in the Gables.

February 19, 2012
 
February 18, 2012 Friday night, Flo and I had a quiet dinner with some friends and then------off to Blue Jeans Blues to catch Jesse Jones Jr.. BJB's has become the leader in presenting live JAZZ in Broward County. Friday night was the proof. The band with Jesse had Danny Burger (drums) Dolph Castellano (piano)"Be-Bob" Grabowski (bass). All of whom, including Jesse are MJC founders. Jesse has just returned from a tour in Russia and during one of the breaks we had a chance to talk. The conversation covered many subjects including audience attentiveness and Jesse's prowess in scat vocalizing. He told me that Lambert, Hendrix and Ross was his early influence in that area. He is as entertaining a conversationalist as he is a performer. More and more venues presenting live JAZZ are showing up in South Florida. They all deserve our support. Flo and I will attempt to get to them all, and, we will if it's up to her.

Saturday was Mardi Gras in Hollywood and the city presented live bands at Arts Circle. Flo and I opted for a club, Big Easy. The band at this celebration was the fabled "Iko-Iko". If you like "BLUES", old school and new, you will certainly enjoy listening to them. Nicole Yarling, an MJC founder as well, came in for the third set. I am sad to say that the "ubiquitous couple" were pooped and therefor missed the opportunity to hear her. I promise next time, Nicole.
 
Did someone say Wednesday? It can not be, but it is. There were so many JAZZ choices to make I thought I was either in the Big Apple or the Big Easy. Rhythm and sound everywhere. And almost all day too. JAZZ in the Gables started promptly at 12:15 p.m.
Rick (Katz) introduced the band fronted by Paul Green (clarinet) with Mike (the dream) Levine(keys) Carlomagnifico Araya (drums) and the young, talented Kai Sanchez (bass). Paul and the band played the afternoon away with "klezmer" tainted rhythms and harmonics. The klezmer songbook is filled with "freilachs" (fray-lox). The word in singular translates to mean joyous- light hearted-happy. The audience was definitely put in the right frame of mind. Paul did his interpretation of "Funny Valentine" using the harmonics of traditional Yiddish music. He followed with "Anthropology" which is based on the chords of "I've Got Rhythym". We also heard a little of "Jumpin' with Symphony Sid" in there somewhere. Wednesday night had Troy Roberts and Gary Keller, both founders of MJC, at the Van Dyke, Joe Donato, also a founder, at Blue Jeans Blues and Maria Rivas at Michelle’s. "eeny-meeny-miney-moe" Talk about Moe. We opted for Michelle's and Maria. Maria had Jaui Schneider on piano and provided an easy listening evening. Michelle’s is a really nice room on Oakland Park, has happy hour prices on drinks and appetizers. They have had live music on Wednesday eves for a while and now are starting a Sunday JAZZ brunch. We have not seen the line-up yet so those interested have to do their own research. If it's live JAZZ we heartily encourage them.

Thursday just seemed like great night to listen to the BLUES. Albert Castiglia (guitar & vocals) alongside Graham Wood Drout (bass & vocals) were at thr Big Easy on Hollywood Blvd. which saved us some fuel input. Albert and Graham both have bands of their own but seem to really enjoy playing with each other. Lots of people we know were there including Charlie Boyer (Jazz& Blues Florida)  and Piano Bob (boogie-woogie pianist). Plenty of hands clappin' and toes tappin'. We filled up on JAMbalaya and adult beverages and while we both could still function we ambled down and across the street to a new (not really open yet) joint. This establishment has a short story length name: "Floida Native Tap Room & Music Hall". It is musician owned and operated. We did not get the name of the BLUEs quartet who performed, but it was "down home" "crossroads" BLUES all the rest of the night. Another dollar and dream story which we sincerely hope comes true. GOOD LUCK!!

February 16, 2012
 
February 12, 2012 Friday had us packing for the one day overnight stay and road trip to Wellington for their Inaugural Jazz Festival. A Friday night and all day Saturday event. The last time I was at an area designated "The Polo Grounds" was when the New York Giants (both baseball & football) played at that Harlem stadium back in 1946 or '47. For a "first time out", the event was well organized and staged. The sound system was great. Freelance Productions provided the service. Friday night, our very own, Nicole Henry was featured. Mike Levine (keys)  Dave Chiverton (drums) James McCoy (bass) and Tom McCormick (tenor&flute). Nicole delivered as usual and again had her fans on their feet with her rendition of Bill Withers tune "Use Me Up". We were up early on Saturday, had a great breakfast and were rewarded by listening to a band called "Urban Gypsy". The septet is fronted by John Michalak (sax&flute) Mike Rivero (drums) Brad Miller (bass) Alan Palanker (keys)Nathan Skinner (vibes) Islay Rodriguez (guitar) and Gus Alberto--the only way to describe him is"percussionero". Their JAZZ is "urban"--"fusion--"flamenco"--and something you should get out and listen to. Our day out ended with us enjoying Sammy Figueroa with Silvano Monasterios. The previously mentioned John Michalak also took a turn with Sammy and the band.
We drove home talking about all the great live JAZZ we are still able to enjoy on an almost daily basis. Now the sun rises on Sunday. A little breezy and definitely chilly.  We have planned an afternoon at St. Johns on the Lake. Nestor Zurita heads up the JAZZ portion of their Arts program. This weeks guests included Ivan Zervignon (drums) and MJC Founders Dr.Ed Calle (tenor,Flute) and Chuck Bergeron (bass). The quartet did a session of Nestor's original compositions. The weather Sunday was comparatively cool but the JAZZ was hot, to say the least. So hot that Ed was totally "farschvitzed" when they were done. I don't know how politically correct it is to use a "Yiddish" word to describe a condition in a Methodist house of worship but "sweaty" didn't seem to work. Flo and I took a holiday from music on Monday----hold it!!! We did watch the Grammys on tape.  Toes tappin' on the downbeat, hands clappin' on the upbeat.
 
When you get to be my age (very old) your life experiences have taught you to grab every opportunity for pleasure that is available to you. Flo's philosophy of "Life is not a dress rehearsal" identifies the fact that you only get one shot at it. Soooooo, after having enjoyed last Wednesday’s wonderful day of live JAZZ which included the concert of JAZZ in the Gables and a visit to Upstairs at the Van Dyke, Thursday, Flo and I spent a relaxed evening listening to Maria Rivas at Kitchen 305 at the Newport Hotel in Sunny Isles. Maria added latin percussion to the rhythm section of Jaui Schneider (keys) and a surprise visit by Dr. Jaimie Ousley (bass).

February 9, 2012
 

 
February 8, 2012
Gloomy was the word used to describe Wednesday afternoon. No sun. Cloud filled sky. Threatened rain. That was not the way I would define "Jazz in the Gables". A dedicated group of JAZZophiles gathered to listen to live JAZZ. They got their "just desserts". They listened to the Mike (the dream) Levine quartet. Mike on keys, his son Sam on drums, Lindsey Blair on guitar and Rafael Valencia playing bass. The guest vocalist was LeNard Rutledge. They did "swing", to the point that a 100 year old women (true story) got up out of her wheel chair and started to do the "shimmy" She loved it and all of us loved it. This young lady is a regular, there every Wednesday, as you should be to enjoy the music. Seeing her dance made the clouds disappear and the sun shine. Some of the audience were from as far away as California and now they know why the "Fountain of Youth" might be found in the "Gables".  Join us every Wednesday 12:15 'til 2.  
 
It's been too long since Flo and I have visited the Upstairs at VanDyke. We should come more often. It seems they always present the finest JAZZ that South Florida has to offer. This night we observed, amongst the packed house, that a majority of the audience were younger (35 & UNDER) people. It encourages the thought that JAZZ is alive and well in the country of its birth. The fact that Nicole Henry was appearing didn't hurt the gate either. Wednesday has become the night of many choices for JAZZ fans in our area. Get out and enjoy the many talented musicians who are appearing locally. You will not be disappointed by any of them. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
         
   
One of the musicians that has always made me happy is known as Johnny O. He plays tenor, congas and does Joe Cocker like vocals. On Jan. 29, someone stole his sax (Christine). It is a 1950's Selmer Mark VI, custom-made with a silver neck, decorated with black lacquer bell and signed by the late Clarence Clemons. Like every musician knows, some instruments are treasured as family members. That is how Johnny feels about his "Christine". If anyone approaches you, or if you have any information about this horn contact Johnny at 954-589-5697 or e mail johnnyo627@yahoo.com . There is a reward offered but don't let that be your motivation. JohnnyO has always made us tap our toes and clap our hands---help if you can!!!

February 6, 2012
 
February 3, 2012 Our card says "We Love Music". We truly do! Lately we have had the opportunity to enjoy live JAZZ during daylight hours and it works. Friday, at 1:00 in the afternoon, Wendy Pederson broadcast "live" from the studios at WLRN. Ed Bell hosted the event, sponsored by Pollo Tropical. The accompanying musicians consisted of superstars, Jim Gasior (piano), Jamie Ousley (bass), and Carlomagno Araya (drums). Pardon the alliteration--- "Wotta Band". Wendy sang a beautiful song which she and Jim Gasior had collaborated on. It was titled "I Love You More". It will be on her upcoming CD. Whether you get to hear Wendy sing it "live" or on record, the lyric and melody will touch you. There is a lot going on daytime. Do your research. Miami Jazz Co-op, Miami U, FIU, Frost, School for the Performing Arts, and others all present JAZZ programs around noon. Don't walk around, dazed, earphones stuck in your ears, get a life and listen "LIVE".  Check out Wellington Jazz Festival Fri 2/10 and Sat. 2/11. Flo and I will be there, toes tappin', hands clappin' and loving the music.
 
Wednesday was the time to get out and catch an afternoon/night double header (nooner/nighter). The afternoon, 12:15, was at the MJC sponsored concert held at the Coral Gables Museum every Wednesday. This day we were treated to a very special performance from a gal we hope to hear more of, Juanita-Marie Franklin. Juanita-Marie did a program of the standards all JAZZophiles have come to love. She was backed by a rhythm section with Jaui Schneider (keys), Don Coffman (bass), Lenny Steinberg (drums). Their solo sections delighted a substantial crowd of listeners. A local restaurant, "Capricho" which has a location on Giralda St. (around the corner from the site) caters a moderately priced, delicious lunch. The MJC offers people submitting email addresses the opportunity to win prizes which are awarded at the close of each concert.  Make the time and effort to attend this really enjoyable, early afternoon event.

When Flo is around, do not make any attempt at "hanging at home" especially if there is JAZZ within reasonable traveling distance. i:e 70 miles, more or less. Pax provides an easy to get to location.  Free parking, moderately priced drinks, and best of all great JAZZ on Wednesday nights. Tonight a group called "Red Rocket" was the listed band. Hold on to your "stingy brim" hats. Chad Bernstein (trombone&conch), Troy Roberts (tenor sax), Dave Siegel (keys), Eric England (bass), Tim Jago (guitar), Andy Fisenden (drums), and I must mention the sound tech, Hector Ascencio, who does a great, but sometimes thankless job, of balancing volume and tone. Andy and Tim, I believe are fellow countrymen of Troy Roberts who is from "down under". This is one of those Jam Bands that grooves, rocks and gives each of its members the opportunity to spotlight his talent. The atmosphere is friendly and easy. I spied Charlie Boyer (Florida Jazz & Blues) in the audience and during the break had the opportunity to chat about days gone by. Talk about JAZZ history!!! Truth be told, the young talent that can be heard in S. Florida nowadays sometimes dims the memory of past JAZZ idols. JAZZ is an constantly evolving art form. It grows in an ever widening circle of sound and rhythm. Don't stop listening to the history but don't miss the present and the future. Keep your toes tappin', hands clappin' get out and support live JAZZ. It is the key to the Fountain of Youth (I know).
         

February 1, 2012
 
January 25, 2012 It's Wednesday and Flo is returning from a short stint "on the job" in N.Y. My listening agenda will now be realigned with the stars and I won't have to answer the constant query, "Where's Flo?". Wednesdays creates an instant quandary and also reflects the growth of JAZZ here in the southland. Where to go? Where to go? Jesse Jones Jr. is at Blue Jeans Blues with Danny Burger, Turk Mauro is at Top of the Bridge in Boca and Kenny Burkhart is appearing with a group we never heard of, "Adrenaline Jazz", at PAX in Miami. The idea of listening to new "to us" groups has always been our way to go. It turned out to be a great choice. How about a trombonist, Chad Bernstein, who "triples" on shofar (rams horn) and conch shell. It's taken 5712 years for the Old Testament to catch up with the New JAZZ. The band is led by Reuben Hoch (drums) John Michalak (bari, tenor & soprano) the aforementioned Chad Bernstein, Tom Lippincott(8 string guitar) and Kenny (historic B3). The group did Beatles, Neil Young, some soul and some funk, all of it JAZZ. They call themselves a JAZZ/JAM band. I would call it "Groove Jazz". They not only had toes tappin' and hands clappin' they had heads bobbin' as well. Each of the members solos were impressive. We strongly recommend getting out to hear them at the next opportunity. We were fascinated by the conch shell and I remembered hearing them played before. Long ago, by a musician in N.Y. with some long forgotten Afro-Cuban group. Will have to do some research. Roxanne, one of the partners, stopped and chatted with us. She reiterated her dedication to presenting JAZZ at the PAX. This night there was no admission or cover. There were beer and drink specials. Check out their website for future JAZZ presentations. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
When people talk about "Woodstock" they say "If you were there you don't remember it." Well if you were at the MJC Rent Party Monday night you are going to remember it for a long time. To quote almost everybody who was there, "The best nite of South Florida JAZZ ever." Musicians and JAZZophiles crowded the venue. The attendees paid rapt attention (no conversation) and were rewarded with outstanding performances. The featured artist was Jamie Ousley accompanied by David Chiverton on drums and Gabriel Saientz on keys. They did a couple of songs from Jamie's recently released album "Sea of Voices". Then Jamie asked Troy Roberts (saxophone) to join them. Troy also sat in on the first set with Joe Donato & Gary Keller (saxophones) Jack Segal (trumpet) Rudolfo Zuniga (drums) Matt Bonelli (bass). The rendition of the numbers from Jamie's album had the audience held in absolute silence 'til the closing note and then applause came showering down. It seems like every Jazz artist that I ever met in FL. was there and anxious to sit in on the third set. One of the songs on Jamie's album is "Alfonsina y el Mar" and they played it during their set. During the final "jam" set, Maria Rivas came to the stage and asked Jamie if they would back her vocal rendition of that same song. Maria first told the real life story of the Alfonsina in the song. Her emotional performance did credit to the composers, Ariel Ramirez & Felix Luna and Jamie's arrangement. Tom McCormick (sax) added pretty background riffs. Gabriel Saientz piano accompaniment added to the soulful beauty of the song. It is not our policy to endorse particular artists but I personally believe that you will be missing out on a lot of excellent music if you don't get a copy of Jamie's CD.(It also contributes to an environmental effort.) I would be remiss if I didn't mention David Fernandez's solos during the jam. They had me leaning forward and closing my eyes to concentrate on his elongated phrases. What a treat it was to hear David and Troy on the same night. Mel Dancy (next month's featured artist and honoree) graced us with a soulful performance. Lisanne Lyons can "swing" and she DID with Jim Gasior at the keyboard!!!! Who else was there---- "everybody". I don't take notes and have a terrible memory (typical of guys my age) so that is why there is no listing. Additionally, if I left anybody out I am sure to hear about it in the usual colorful terms and sometimes from the stage. Discretion being the better part of valour I will close with ---- Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat and don't miss the next Rent Party, February 27.

January 24, 2012
 
January 22, 2012 If you make wagers on horses you know how you feel when you pick a trifecta. If you're a hockey fan you know what a hat trick is. Basketball fans thrill when their team drains a 3. Not many baseball fans have seen a triple play. Well I was lucky enough to capture those things this weekend. Best of all it was music. Friday night, the Larry Harlow concert (salsa). Saturday, straight ahead JAZZ with Don Wilner, Mike Orta and Dana Paul. Sunday, almost putting football aside it was the Blues. If you're not into blues, the artist I heard today would make you an instant devotee. His name is Nicco Wayne Toussaint. He is a native of France but plays harp (harmonica) and sings like he was born in the Delta. Nicco has studied all the old times blues men and brings his virtuosity into play while staying true to the tradition. Sunday's performance was at Fish Tales on "toity toid" which, as I have mentioned before, is Ft. Lauderdale's 52nd St or Bourbon St. The street has restaurants and, best of all, at least 4 "joints" (I don't know if I should call the 33rd St. Wine Bar a joint) have live music. Let's support all venues that feature musicians that breathe and have heart beats to accompany the drums. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat - singing along with the blues.
 
Pok--pok/pok---pok/pok--Pok--pok/pok---pok/pok. Shave--Haircut---Shampoo--Shave--Haircut---Shampoo. The sound of the claves in my teen years. The mambo, the Palladium, Cachao---strong memories enhanced by last night's performance at the Arsht Center.
Larry Harlow and a full 40 piece orchestra including violins, violas and cellos had the mamboniks dancing in their seats and eventually dancing in the aisles. They opened with "Manteca" and moved on to perform Sr. Harlow's suite "La Raza Latina". This piece encompassed every modern Latin rhythm. Bolero, Tango, Rumba, Mambo, Salsa and some that are new to me but not to dance enthusiasts. A segment featured "Candido" who recently celebrated his 90th birthday. This renowned "congolero" displayed his wonderful talent for his instrument and a charming, warm personality. The audience responded with a long lasting standing ovation. The string section was alive and dancing in their seats along with the audience. Percussion included drums, congas, timbales, claves, castanets and many whose names I don't know. My attendance at a clinic held by Sammy Figueroa last week helped me in enjoying them more intensely. There were instrumental and vocal solos by several well known Latin and JAZZ artists.
Larry Harlow grew up in a Jewish household in Brooklyn. He attended and graduated from the High School for Music and Art in Manhattan.
His love of the rhythm of the Caribbean had him continue his musical education in Cuba and Puerto Rico.
The encore went on for 25 to 30 minutes, with the violinists coming down into the audience and encouraging people to get up and shake their ----s. Flo is in "The Apple" sooooo---. All I can hope is that my little "dance in the aisle" is not on "YouTube". Shoulder shakin' hips rotatin' "VAYA".  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 20, 2012
 
January 18, 2012 Yeah, yeah. It's Wednesday and it's your day off. Pack a towel, maybe a sand chair, the cooler with a beverage or two and head to the beach.

BORING!!!!!!! That's right, boring. Wednesday early afternoon is filled with JAZZ and exciting JAZZ at that. It all happens at the new Coral Gables Museum when the MJC presents its JAZZ IN THE GABLES program. This week 1/18 Nicole Henry was featured. The rhythm section was not "chopped liver" either.
James McCoy on bass, David Chiverton on drums & Chris Cadenheadon piano. As often as I've listened to Nicole whether at a club or Lincoln Center, it amazes me and others at how she seems to get better and better each and every time.

There are plenty of chairs and umbrellas for shade and every week a local restaurant is featured serving a moderately priced lunch "al fresco". Absolutely a great way to lose those mid-week blues. This coming Wednesday "Sound of Vision" will be there and so will I. Go to www.miamijazz.org for details. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Feeling better. Cold is almost gone and Ira Sullivan is in Broward county. Flo and I head to BJBs to catch a set or two or three.
Ira has only four instruments (not counting rhythm) with him. His tenor, trumpet, flugelhorn and flute--whoa--make that five. That moldy-oldy soprano sax with fantastic tone. The lady and I are in kind of a mellow mood and wax romantic about how the N.Y. feel has become part of the JAZZ scene here in S. FL. The other day I mentioned "toity toid" becoming like the old 52 St  back, way back in the day.  Flo kept talking about those days in our early twenties with Bop City and Basin Street East and Jimmy Ryans annd Smalls Paradise and the Village Gate. That made me think about my teens and the 52d St. that I knew. Where I first heard the Bird and Diz and a piano player by the name of George Wallingford and later George Shearing and Lennie Tristano and many more who embedded in me the love of the music. I remembered being 15 years old (I had a moustache and the attitude to go with it) bellying up to the bar and ordering a Tom Collins. 75 cents. Then holding the glass by the bottom so no one would notice it was already drained. Then I remembered other joints I had heard of then. The Bee Hive on Chicago's South Side, Bimbo's 365 in San Francisco (the bar had a gal in a fishbowl), Roxy's Tic-Toc in Oakland (that was a joint when joints were not fashionable). Ira made the memories even clearer with a short tale. In one of the places Ira played as a young man (he calls them charcoal joints because of the lighting) a fan asked him what sign he was born under. Ira hesitated for a moment and responded "Exit" because most of his career involved being on a stage and facing the only light in the room. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 13, 2012

 
January 9, 2012
Being almost completely sated with football (Denver/Pittsburgh) still to go, the coach and I venture forth on Sunday nite to catch some blues.
Figuring that since Sunday was Riverwalk Brunch day they would have someone special at "Bourbon on 2d" . Instead we found a locked door with signs stating UNDER NEW MANAGEMENT. A smaller note let folks know that the Sunday Blues Showcase would now be performed at Fishtales on "Toity toid"
Let me digress for a line or two. 33d Street in Fort Lauderdale is slowly becoming the 52 St. I knew growing up in N.Y. It's just a short block running east from A1A and two blocks north of Oakland Park Blvd. It starts with the "Dive Bar". Basically hard rock, this "joint" has been there since before Coca-Cola. Across the street is Fishtales, a locals blues haunt where all the really good bluesmen gather to play. A little further down on the same side is the 33 St. Wine Bar. Sophisticated, cool, every wine known to man and live music, jazz oriented. Across from the Wine Bar is Blue Jeans Blues. Music 7 nites a week. JAZZ-JAZZ-JAZZ.
To get back to the evenings tale. We head for Fishtales. It's Albert Castiglia with Kilmo on bass guitar, John Yarling on the skins and Jeff Watkins blowing a tenor and knocking everybody out. We stayed through the second set and watched Tebow throw the pass to win the game on the first play from scrimmage in the overtime. I spoke with Kathy and thanked her for welcoming this great blues program to her place for these early Sunday (4 to 8) sessions. A personable gal, who loves her music said she was happy to do it. We said goodnight to Albert promising to sit down one day for a discussion of blues history and its relation to the JAZZ of today.
Being the gentleman my mother raised me to be I helped Flo cross the street to BJBs. The featured artist was Andrea Wood. The name was unfamiliar but a listen on her website sounded interesting. Before her taking the stage, her trio did an opening number. Twin brothers Nobel and Nate Jollie on piano and drums respectively and young Blake Meister on bass. Tracy Fields (WLRN) walked in just in time to catch it as well. All I could say was "WOW". Boppish, modern, cool and exciting. "WOW". Ms. Wood made her presence known with great interpretations of all kinds of songs most would not even dare to attempt. Andrea is a student at The Manhattan School. She appeared at the VanDyke earlier this week and at Blue Jeans both Saturday and Sunday. This nite was her last in FL. I hope we can get her back soon.
Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
 
The coach (Flo) does not miss much football or-- music or-- life. This week it's football. Last games of the pro-season and first games of the BCS college series. This meant afternoons and evenings at Duffy's watching 3 or 4 games at a time and indulging ourselves with hearty portions of food and flavorful beverages. So I have no music to report on From Saturday thru Monday. Tuesday we made it back to BJBs on" toity toid" to catch Maria Rivas. The usual suspects were all in attendance to listen and enjoy Ms. Rivas' presentations of American and Sur American hits. It was extra special because she was accompanied by Mike Orta on piano and Don Wilner on bass. This duo have known and played with each other for a good many years. They are true JAZZ artists. Maria has a style of her own and her scat solos are tonally and rhythmically unique.
I had a chance to chat with her for a moment. She told me that her influence in that area comes from the native music of the interior of her country, Venezuela. Among those in attendance was Dr. Jules Oaklander and the lovely Maria, Leana and Ken Bresnahan, Yale Estrin and Stan Jackson. When Maria did "Route 66" she allowed Stan to do about 12 bars of scat with her. He was 1/4 tone flat but he had the chord changes down and got a nice round of applause.   I will not report my activities for Wednesday nite and Thursday as it involves medical terminology which I would rather not remember.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 6, 2012
 
 
December 30, 2012 Tony Madruga, South Floridas outstanding JAZZ piano prodigy is appearing with Turk at BJBs. Flo and I are proud to know this young man. He is extremely talented. Still in his teens, he has played at many prestigious events in the last year. We were fortunate enough to be in NY when he celebrated his 16th birthday with a featured appearance at Dizzys Club Coca Cola. BJBs was packed with Tony's fans and his solos brought enthusiastic applause. Believe me when I tell you that it was a tough to choose between Ira Sullivan at MOCA and Tony Madruga at BJB. Flo and I believe that we all should support live JAZZ wherever and whenever. The new, the old, the blues, post-bop, tough choices when you love it all.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Troy Roberts at PAX. PAX=Performing Arts Exchange. This one has only been open 8 months and is another "dollar and a dream" story. Love of the arts always seems to motivate some people to go out on a limb. Roxanne (in the art and antique business) and Danny (film industry) are both fairly young but very adventurous with this endeavor. On SW 8th St. (RIGHT UNDER THE 95) it is easy to reach. Tables, chairs, setees, full bar, tapas plate and what I felt was a superior sound system. Troy had Silvano Monasterios, Dave Chiverton (just back from a road trip to Japan with Nicole Henry) on drums, a left handed guitarist (sorry missed the name) and Eric England doing a great job on Electric Bass. Jim Gasior, his lovely wife and a group of students came out to listen to Troy. They really seemed to enjoy him and the bands renditions of Troy's intricate compositions. He really is talented and if you dig creative modern JAZZ you will find his stuff absolutely satisfying. Roxanne and Danny are dedicated to the music and performing arts in general. They hope to continue a Wednesday night program presenting JAZZ artists. Latin dance and JAZZ bands Friday and Saturday nights help finance the JAZZ events.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

December 28, 2011
 
December 26, 2011 Satchmo's on Commercial. Howard is doing his darndest to promote live JAZZ and blues. The 2d and 4th Monday of every month is Big Band night. They feature the Jerry Fischer band with Lisette Lyons on vocals. The club itself is comfortable with ample bar and table seating. Great sound system and efficient, friendly staff. Stu Grant (880AM on Sunday morning) is the host and encourages all to come on upstairs to enjoy this great band while giving management a good reason to continue in its efforts.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Hadn't caught Turk, Danny, Nicky and Dolf in a while so we rode up to BJBs on "Toity Toid" in Fort Lauderdale. Saw a lot of our JAZZophile friends and in general had a really good time. Good sound system, friendly staff and they'll make any drink you can think of. Do you remember a "Moscow Mule"--Vodka, ginger beer and a sprig of mint in a copper mug. Oh Yeah!!!!  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

December 23, 2011
 
   
December 22, 2011 Opened all those wonderful cards from our friends and it was great. One of Flo's friends(and now mine) Selma, sent a book as a gift. If you love JAZZ the way we do, you must get a copy or find one to peruse. It is titled "Legends of Jazz". The preface is by Joe Lovano and the text by Bill Milkowski. Incredible photgraphs and quotes, from the past to the present. It is a treasure.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 
 
Okay hep cats, hipsters and music lovers. Some historic facts. December 21 is the shortest day of the year. It is also the day that the Pilgrims landed in 1620. In addition it is MY birthday. Furthermore it is the cusp (if you believe in astrology) of Sagittarius and Capricorn. All of this makes me come to the conclusion that it doesn't mean much to the world overall. Flo let me know that we would be spending the evening with Deborah and Duane Crisp, friends of ours, who are also avid JAZZophiles. Maria Rivas would be at The Top of the Bridge in Boca and that was the plan. I walked into a room full of JAZZ fans we both know. It took me several seconds to realize that they were all there to help me celebrate my 80th. Old friends and new.

A wonderful surprise that reaffirmed that I am "The Luckiest Man in The World" because of that absolutely incredible "Wonder Woman" at my side. Wait a sec. Coincidence or what. It was Marias birthday as well. Wait another sec. Carlomongo Araya was on drums and it was his birthday too. Out for the evening with his family was Dr. Jules Oaklander, a true "patron of the arts, who recently had a birthday as well.We all DID celebrate.

Joe Mirrione who presents Jazz,Bossa and Blues on Wednesdays at Top of the Bridge is another "Dollar and a Dream stories. His love of music encouraged him to get involved in this venture. Successful in his own business he decided, along with some community members, to bring Jazz, Bossa And Blues to Boca Raton. Taking an awful lot more than the fabled dollar and a lot more "chutzpah" (In Italian it is Cu-----ns) Joe did it. He provides great talents in a beautiful room. Plenty of room, nice appetizer menu and a dance floor tha provides enough space for you to do your Gene Kelly steps.Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 

December 21, 2012

 
December 10, 2011 Friday morning and I flick thru the pages of Weekend in the Miami Herald. Page 20 and the words JAZZ ROOTS jump out at me – "DOWN IN NEW ORLEANS" - with a full color picture of Irvin Mayfield. I drag my substantial tail down to the box office and nab a single for the uppermost tier. 55 smackers.

Being somewhat of a traditionalist (translation=old) going to a concert hall I don a blazer and a button down collared shirt and venture forth. Traditional New Orleans JAZZ is easy, like the city itself. Smooth sounds, hypnotic repeated rhythm and melodic solos. Basically a "nice" listening experience. Irvin Mayfield is a protégé of Wynton Marsalis and a purist. Pure joy. The New Orleans Jazz Orchestra, a 16 piece band consisting of 4 trumpets, 3 trombones, 5 saxes, piano, BANJO, piano, bass and drums filled the hall with happy sounds. I particularly enjoyed a number featuring clarinetist Evan Christopher. It started with his soloing to a very sexy tango rhythm, transforming to a New Orleans march and ending with klezmer like cadenzas. I was impressed. The featured guests were Marcia Ball (piano/vocals) and Kermit Ruffins (trumpet/vocals). Flo and I are long time fans of Marcia Ball having heard her with small groups at several Blues and Jazz fests here in South Florida. Kermit Ruffins offerings both instrumentally and vocally showed the tremendous influence both Louis Armstrong and Louis Prima have on the musicians of today. His trumpet solos were full of flavor and his vocals full of fun.

It's now 10:30PM and any self respecting octogenarian should be in bed. Instead I head over to a nearby jazz/blues club to satisfy my funk "jones" and enjoy an adult beverage---or two. Flo returns on Thursday so the social/JAZZ calendar will be reactivated. My 80th birthday happens on Wednesday, 12/21. Flo and I will celebrate at the Top of the Bridge in Boca Raton. Maria Rivas will be the featured artist on that night. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
JAZZ lovers in South Florida have to really dig "firsts" and "lasts". Here's why. The first Friday of the month, Gold Coast Jazz presents "First Friday Jams" at ART SERVE located in the library on Sunrise Blvd. It features middle and high school students who are interested in making JAZZ their future. Hosted by Nicole Yarling, the youngsters are also guided through the experience by her. I have been attending for the last 4 years and have been rewarded by hearing some amazing performances by future JAZZ stars. This past Friday night included a young man jamming some be-bop riffs on a "Steel Pan". I have listened to him (I believe he is now 11) for the past three years and it's wonderful to hear the progress, as a musician, he has made. You should make this an event a must on your calendar. Also, the first Sunday of every month is the "Riverwalk Sunday Jazz Brunch" in Fort Lauderdale. There are presentations on three separate stages so you're sure to find the "sounds" you enjoy. Bring chairs, umbrellas, wine, shrimp cocktail, pico de gallo, guacamole, chips, and your cel phone so that you can call me as to your location. there are food and beverage vendors if you're just plain lazy on Sunday.


The last Monday of the month (this month will be on the 19th) is the Miami JAZZ Co-op "Rent Party". Three hours of great JAZZ. Guys and gals are always dropping by with their "axes" in hand and ready to blow for your listening pleasure. December’s Rent Party will most likely be the last presented at The Stage. Come on down, bring your friends and acquaintances and make it a holiday party!!!!


On Sunday, I headed south to the Universal Unitarian Congregation in South Miami. Dr. Jamie Ousley along with Jim Gasior on piano and Carlomagno Araya on drums were doing a concert for the benefit of Sunshine State Interfaith Power and Light. Their mission is to save the Earth for the generations to come. A star-studded guest list included performances by Ira Sullivan, Wendy Pederson, Troy Roberts, Julie Silvera, Maria Rivas, Valeria Proana, Samm Mapp, Paul Green and Sandy Poltarack. A most wonderful early evening of great JAZZ. In many ways it was a revelation to me. As a JAZZophile I have always admired the musicians for their dedication to the art. Long hours of study and practice that do not generally bring financial reward. This benefit revealed to me that musicians like Dr. Ousley and his guests are also regular citizens of the community in which we live and contribute in many ways to the well being of us all. So I rise, as we all should, and applaud not only the music, but for their help in supporting important community causes.

Then, I heading back north to Broward and BJBs. Valeria Proana (who also sang at the benefit) was on the bill and she impressed an enlivened audience. The clock struck midnight and I decided that it might be time to go home.

Tuesday--Oil change on the calendar, I am up and out at 7:30 AM. That's right. 7:30AM. Drop the car and am in desperate need of comidas and cafe. I head for an adjacent Mickey D's for a carbohydrate boost and caffeine fix. I push through the door and am greeted with aural pleasure. Can it be? Am I hearing this right? McCoy Tyner, the MJQ, coming through the speakers. Uh-Oh. Dizzy at the Micks? Must be something that I drank last nite. Well, listen up. It's a fact. NCB Inc. is a McDonald franchisee and plays JAZZ on its sound system at all 18 of their locations in Broward County. JAZZ fans, let's give them a hand. Go to their website for a location near you when you want a little JAZZ with your Coke and fries.

Congratulations to a great star. On December 4, President Obama conferred the Kennedy Award on our revered senior genius saxophonist, Mr. Sonny Rollins. Well Deserved. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 

December 6, 2011
 
November 24, 2011 It's Wednesday. Flo and I are still doin' NY. Flo had to work today and tomorrow we're off to an early start for Thanksgiving with the "familia", our kids, grandkids, and assorted relatives and friends. We needed someplace convenient with a fairly early first set time. Search the internet and find that SMOKE (we were there last nite) has a dinner set at 7 which is early for the "Apple". The featured band was vocalist Eve Cornelious backed by Mosaic with Jeremy Pelt (trumpet) Clark Gayton (trombone) Anthony Wonsey (piano) Andrew Klein (bass) and Rodney Green (drums)

Ms. Cornelious did a very slow tempo version of "Rainy Day" with only the piano accompanying. It was beautiful. We enjoyed our evening and on the drive home we both talked about the warmth and excitement of Clark Gayton on trombone. Toes tappin, hands clappin, headin' back home Saturday. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Doin' the "Apple" in nothin' flat and 4/4 time. Yes, Flo and I are back in our native environment and are as restless as if we were still in the place we love ,South Florida. One of our favorite haunts is a club named "SMOKE". The club is small and reminds me of the San Francisco joints that dotted that town back in the day. Red brick walls, a tinted picture of Salvador Dali and seats so close together that if you reach for a handkerchief you might be charged with sexual assault. Their sound system is perfect for JAZZ and at the start of each set the host asks all the listeners to turn off communication devices and to PLEASE HOLD CONVERSATION TO A MINIMUM while the musicians perform. I have found that New Yorkers, out for an evening of listening to JAZZ are generally quieter. It might be because the cost of listening in The Apple is a lot more expensive than in most of our JAZZ clubs.

Wednesday at SMOKE is "Organ Nite". We were joined by our Florida pal, Yale, who is an avid JAZZophile and can rattle off the names of musicians, especially be-boppers, who are performing in Florida, New York, Chicago etc. etc. etc. If you are a be-bop oriented JAZZ musician and Yale doesn't know your name, I respectfully submit you might need a lot more practice time. The band was the Mike LeDonne (B3 organ) Quartet. Eric Alexander on tenor, Peter Bernstein on guitar and Jason Brown doing an exceptional job on drums. We stayed for 2 sets and were rewarded with some great interpretations of standards, originals and even an instrumental version of the blues tune "I Want A Big Fat Mama". Eric is an Ira Sullivan devotee and promised he would try to visit and jam with Ira in the near future. SMOKE does serve food and there is a per set minimum. Those of us who live and listen in South Florida have to thank our "lucky stars" that we get to hear talented musicians, both young and old at very minimal cost. Get out, spend a few bucks and support live JAZZ wherever you happen to be. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 23, 2011
 
November 18, 2011 Monday was the day, JAZZ grew up in south Florida. I really should say got BIG. I mean BIG BANDS. Two great bands delivering outstanding performances on the same nite at different venues. The Jaco Pastorius band just before boarding a plane for Japan played at the Sunrise Civic Center. Stu Grant presented the Jerry Fischer Big Band at Satchmo's on Commercial Blvd. 11/15/11 will be remembered forever as the night the Big Bands blew in Broward. Unfortunately for me, I am contained in only one body and therefor could only be in one place at a time. Flo and I, chose the club site as opposed to the theater setting. What a great night and what a great band. How about a set that included an updated chart of Glenn Millers "Moonlight Serenade" followed by Thelonius Monks' composition "'Round Midnight".

Think you heard enough? Not yet! Lisette Lyons coming to the bandstand doing her rendition of Chet Bakers "What's New" followed by a tune made famous by Joe Williams "Every Day". Chris La Barbera did a "special guest" shot on trumpet. 5 saxes, 3 trombones, 4 trumpets, piano, bass and the leader on drums. It is now Wednesday morning and my heart is still applauding the performances.

Satchmo's has been open only a few weeks and up until Monday had featured mainly "Blues". Stu will be presenting the Big Band show bi-monthly and is encouraging the owner, Harold, (Fritz & Franz Bierhaus fame) to do more JAZZ. When you need a Sunday morning JAZZ fix listen in to Stu Grant on 880AM radio, starting at 9:00AM.

Tuesday often is a night where you may not find something worthwhile to listen to. Not this Tuesday. Jaimie Ousley and Samm, who appear regularly in Palm Beach, were at BJB. And they added Mike Orta on piano and John Yarling on drums. Samm has a remarkable sensitivity and her vocals are a mix of a young Billie Holiday and a mature Sarah Vaughan. I studied him and realize that Jaimie Ousley does not in anyway resemble Paul Shewchuk. "Ouch!" I better learn to duck. John used his brushes in an unusual (at least to me) manner. He reversed the handles, using them on the skins and cymbals. I asked him what they called the brush handles when they were used that way. He answered with a knowing smile. "Brush Handles." These are the kinds of questions and answers that help me understand why I always was made to sit in the last seat of the last row in class all the way through school.

Fast forward to Wednesday 12/16 at BJB. If you are in to "cabaret" a late afternoon session with Glenda Grainger provides "easy listening" relief. She was followed by a reunion of "Jazzberry Patch".

A quartet whose history goes way back to when Danny Burger had long hair and Martin Hand's hair was not snow white. Ben Champion (his hair is still in place) on tenor and Kenny Burkhart on the Hammond B3. It was a great evening, bringing back the memory of great early afternoon Sunday jam sessions at Murphys. Ben Champions alacrity and "ideas" are a jazzophiles delight. Martin did a foot stompin', head bobbin' blues and reminded the audience that the genre is a big part of what JAZZ is all about. The place was full of old time fans who showed their love to this really great quartet of JAZZmen.

JAZZ is slowly but surely expanding its South Florida market. The Newporter Hotels' "Kitchen 305" has instituted a JAZZ program after experiencing audience counts during the Jazz Fest promoted by Sunny Isles early last month. A Thursday night performance by Maria Rivas accompanied by a great quartet was enthusiastically

received by an audience some of whom might have been new to listening to a JAZZ vocalist. Maria has a distinct manner of delivering in the four languages I love best. In alphabetical order, not necessarily importance---English, Portugese, SCAT and Spanish. Maria will be featured on Thursday for the next few weeks. I spoke with the manager and he was enthusiastic about a possible expansion of the JAZZ program. Flo and I will be travelin' north to spend some holiday time with our family. We will try to get out and listen to some N.Y. "sounds" while we're there. Happy Thanksgiving to all of you (hip) (hep) hoppin' JAZZOPHILES. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Wednesday Flo and I returned to our real lives (music). The Miami Dade College Wolfson Campus

has a once a month JAZZ program on Wednesdays at noon. If you work, live or go to school in the area try to make time for these 1 to 1 1/2 hour free concerts. This days guest artist was trumpeter/composer Brian Lynch. On stage providing background, solos and rhythm were Professors Mike di Liddo (guitar) Jim Gasior (piano) Rick Doll (upright bass) Rodolfo Zuniga (drums). Brian Lynch reminisced about a time (1981) when he and Rick Doll played club dates at a joint in the Park Slope section of Brooklyn for $4 a night. Lynch evoked the memory of Bunny Berrigan with his completely original interpretation of "I Can't Get Started" which included a masterful cadenza to end the number. He also did a solo on an instrument I have personally never seen or heard before, Piccolo trumpet. I strongly recommend that Jazz listeners look for the upcoming events.

Later that evening we ventured North to the "Top of the Bridge" at the Bridge Hotel in Boca Raton. They have a weekly music program that often features some of our local JAZZ musicians. Large banquet style room, full bar, tasty appetizer menu, and a dance floor for those who would choose to. The reason for the "road trip" was Greg Diaz (Mad Romance) performing on sax and vocals with a great rhythm section - Pete Wallace-piano--James McCoy-bass--Rodolfo Zuniga-drums. Totally enjoyable.

On the way back home, in order to not destroy our reputation by returning home before 1:00am, we stopped by Blue Jean Blues. The featured artist that night was the inimitable Jesse Jones, Jr. If you want to escape "that Wednesday is worse" syndrome, make it to Danny's "Showcase" at Blue Jean Blues, it really offers mid-week relief. Jesse, again proving his versatility did "Stormy Monday" with vocalist Rita Wilburn.

To say the least, being totally redundant, Wow! What a Wonderful Whale of a Wednesday.

Friday and Saturday were "Blues, Funk and R&B" nights.

Sunday evening the Sunshine Jazz Organization continued the birthday celebration for its founder , China Valles. He is 86 and still a very warm and charming man. Sunshine Jazz presented Ira Sullivan and his Inter/Outer World Ensemble. A rare appearance by Dante Luciani was most welcome. Brian Murphy played keys on his Roland JV90. He refers to it as a toy. John Yarling was on drums and there seemed to be something extra special about the "talking" between he and Brian. Jaimie Ousley on bass. Apologies to Jaimie for confusing him with Paul Shewchuk. After all they do look so much alike.---Do I have to apologize to Paul now? Miss Alice Day did an embracing "Happy Birthday China". Ira and the band then did a dedicated to China "Slow Boat to China". Marc Berner joined Ira on his always moving "Amazing Grace".

An aside note: A dollar, a dream, add hard work and dedication. What's the result? Blue Jean Blues. A little over two years ago, a guy who I know only as Tony set his mind to opening a jazz club ' in Fort Lauderdale. He picked a spot, put up his money (a lot more than a dollar) and started out on his dream. He needed a face and some hard work for the "joint". The answer, Melody. What a great choice. She grew up in the same neighborhood of The Bronx that I did. It is known as "Fort Apache". The infamous 41st Precinct of the NYPD. She hung on through those first few months of that spring, summer and fall. Melody never faltered. She kept Tony's and now her, dream alive. Nose to the grindstone and shoulder to the wheel, searching for the right talent and the right formula. She, and a hard working, hand-picked staff, did it. I write this to inspire others with dreams of owning, opening or starting live jazz clubs. Do it. Jazz is alive in America and especially in South Florida. We have oceans of talented musicians needing only places to perform. SUPPORT LIVE JAZZ. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 16, 2011
 
November 12, 2011 Starting with Saturday Nov 5----Saturday provided plenty of great choices. Just a couple of college games on TV. Flo and I generally go to our local Duffy's because the coach (Flo) can keep track of three and sometimes four games at a time. I generally kick it with a brew or two or maybe a margarita with salt. I think if they had live jazz she and I might consider moving in.

That night our beloved China Valles celebrated his 83d birthday with friends and family at Nicks Restaurant in Fort Lauderdale. Miss Alice Day was there but Flo and I went forth into the evening before she sat in with the house band. We didn't have to go far, just a couple of blocks away Troy Anderson and his band was at Blue Jean Blues. Always a lot of fun.


Sunday was the day for the "Battle of the Big Bands" Dillard vs. New World. This is not War. It was an afternoon of listening to some of the most talented and creative high schoolers that one could even imagine. Percussionists, horn players, rhythm sections and vocalists that will someday be headlined at major clubs and be written about in "Downbeat" performed for an absolutely packed house. Pete Francis is the band Director. The band is excellent and finished in 4th place out of 110 bands nationwide that were considered for the Ellington Award. I am fain to mention names for fear of slighting someone but I would be remiss if I didn't mention Tony Madruga (piano) and David Leon (saxophone). Non-pareil. Flo and I were present when Tony celebrated his 16th birthday while performing at Dizzy's Club in New York and that was only last year. The band finished their set with Sonny Stitts "The Eternal Triangle" which brought the audience to its feet and cheering aloud.

The Dillard Center For The Arts Band followed. The venerable Christopher Dorsey is the Instrumental Music Director and fronts the band. This band won the coveted Ellington Award last year. Our good luck wishes are with both bands for this coming years competition. When you mention Dillard you seldom have to say more than the name. Its reputation for nurturing the JAZZ stars of the future is heralded by all. The band has thirty members including two young ladies doing vocals. Ladies first. Liza Honorat and Shanice Richards wowed the attendees with their individual presentations. I have been privileged over the last few years to have heard some of the band members performing at Gold Coast Jazz First Friday Jams at ArtServe in Fort Lauderdale. This on-going program gives aspiring youngsters an opportunity to "jam with the pros" before a live audience. Try attending. You will definitely "enjoy" I've listened and been enthused by their dedication to master the music we all love so dearly. The guys that have been here a while know how much Flo and I admire and support them so I hope they will not be upset by me not mentioning there names here. I am positive I will have plenty to say about them in the future. I must "shout out" to some special freshmen. How about Bianca Nieves on drums, Christian Cummings (saxophone) and Max Boika (trumpet).
 
I truly don't know if it is the Miami Jazz Co-op's efforts in promoting it or Flo and me being out and about every night, but there is definitely a renaissance of jazz going on in Miami and Broward. New venues opening, progress in MJC's search for a permanent site and talented young musicians being drawn to the genre. It should make all of us optimistic about the future of the music we love so much.  Jazz enthusiasts have to be active in supporting live Jazz, wherever and whenever it happens.


Tonight, Danny Burger celebrated the 1 year anniversary of his Jazz Showcase at Blue Jean Blues. Joe Donato was the featured artist. It was truly fitting as Joe was the first of many to headline the Showcase.  A 17 year old, alto saxophonist, David Leon, from the New World School sat in and had all in attendance totally amazed. The rhythm section included Matt Bonelli on upright bass (a rare treat) and Dolph Castellano playing piano. Martin Hand picked a great time to bring his "axe" and his counterpoint duet with Matt on the theme from "Black Orpheus" provided one of those magical moments in jazz that keep all of us listening. Joe wrote a "Blues" lyric for the celebration. He was wearing a tee-shirt with a picture of Yardbird - Charlie Parker. Before starting the number, Joe, tapped the picture on his shirt and said "Sorry, Charlie".  Most of the audience chuckled appreciating what Joe meant. It brought to mind an old question. "Are the blues really jazz?"  My stock answer has always been--- "If the blues ain't jazz then ham ain't pork, chicken ain't poultry and Mona Lisa was a man." It is true that many blues men do not or cannot play jazz. Also true is that blues are basic, with simple and repetitive chord structure.  Now think about how creative bluesmen have to be in order to make each of these songs different from each other in some way. It all had to start somewhere. I venture to say it came from "the wail of a downhearted frail". 

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 3, 2011
 
November 2, 2011 The night after all the Halloween parties vanished like vampires at dawn, Jazz lovers got a post holiday treat. Maria Rivas, a "brasileira cantora", now based in South Florida, made an appearance at BJB in Fort Lauderdale accompanied by Jim Gasior on piano and Dr. Jaimie Ousley on upright bass. Those of us who were at the "Rent Party" remember her performance there. Her unique, swinging, rendition of "It Might As Well Be Spring" was like a breath of that season itself. Following in the seasonal vein, her haunting voice softened every heart in the "joint" with "Autumn Leaves". Maria's scat vocals with that slight Brazilian accent are a refreshing delight and were enthusiastically received by all in attendance. There is a strong samba influence on her interpretations, even American songbook ballads. It makes for an evening of pleasurable listening. Of course her vocals were enhanced by Jaimie and Jims rhythmic backgrounds and solos.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 

Last nite (Halloween) I got both tricked and treated. Flo and I dressed up in costumes and ventured forth. She went as Flo and I as me. We left candy and treats outside our unit door for the expected arrival of kiddies.

" Satchmo's" a fairly new opening on Commercial had Iko Iko, traditionally a blues band but they advertised a featured artist who is a jazz educator and central figure in "our" south Florida scene. The trick----and the treat-----Nicole Yarling-----No way, you say. Way, I say.

Nicole did it all. Violin solos, vocals, rock, blues and even some Jazz. Ms. Yarling did a Chuck Berry number that rocked the house. She never disappoints. I hope to speak with the venue owners about featuring an evening of Jazz at least one night a week.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 1, 2011
 
October 31, 2011

This past Wednesday at Danny Burgers Showcase (Blue Jeans Blues), Ira Sullivan was the featured artist. Need I say more. Ira was in full be-bop mode, playing brilliant, fast-paced riffs on his trumpet. Ira also did several selections on flute accompanied by bass flautist Marc Berner. Paul Shewchuk on bass, Brian Murphy at the piano and using sticks, brushes and everything else was Danny himself. A young (14) alto player sat in for more than the usual 2 numbers for good reason. Remember the name because you are sure to hear of and from him in the future. Chris Cummings. He CAN play.

A week ago Sunday I had the privilege of attending the installation of Melton Mustafa into the Sunshine Jazz Organization's Hall of Fame. The host band was the Jesse Jones Jr. Quartet. Mike Levine at keys, Paul Shewchuk upright bass, James Cottman on drums, Melton Mustafa Jr. on sax, with special guest Miss Alice Day. The well loved Jazz disc jockey, China Valles was there and Mel Dancy did a couple of songs. Melton and his lovely wife were there to accept the award. Melton rose to the occasion and played a couple of tunes on his trumpet. It was an inspirational moment for all in attendance. Ira Sullivan and Marc Berner sat in. They were joined by Miss Alice Day to close the show with a moving rendition of "Amazing Grace"

"Ciao"a relatively "new" place that features jazz on Saturday nights is in the space formerly occupied by Alligator Alley on Commercial Blvd. In spite of the awful weather, Flo and I, Pam from Gold Coast Jazz and her husband, and several of our friends came to listen to Debbie Orta with Randy Berensen on guitar. They did some interesting experimental things that kept us listening and alert.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

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